Epstein Secrets

ion of military information” was driving political leaders in the United States to adopt a “secretive frame of mind paralleled in history only in the Venice of the Renaissance.” Wiener, echoing many outspoken veterans of the Manhattan Project, argued that the postwar obsession with secrecy—especially arou

life amid the military-industrial complex, were still fresh. Just a few years earlier, he had announced 109 HOUSE_OVERSIGHT_016912 in the pages of The Atlantic Monthly that he would not “publish any future work of mine which may do damage in the hands of irresponsible militarists.”°° He remained ambivalent about the

ion of military information” was driving political leaders in the United States to adopt a “secretive frame of mind paralleled in history only in the Venice of the Renaissance.” Wiener, echoing many outspoken veterans of the Manhattan Project, argued that the postwar obsession with secrecy—especially arou

life amid the military-industrial complex, were still fresh. Just a few years earlier, he had announced 109 HOUSE_OVERSIGHT_016329 in the pages of The Atlantic Monthly that he would not “publish any future work of mine which may do damage in the hands of irresponsible militarists.”°° He remained ambivalent about the

and later op-ed editor for The Wall Street Journal; a senior editor at The Weekly Standard from its inception; a contributing editor at Newsweek and The Atlantic Monthly; and as a commentator on National Public Radio. He is now a columnist for The New York Times and commentator on PBS NewsHour. Brooks, who is Jewi

t Obama on the occasion of the 56th Inaugural Ceremony. Mr. Ma and his wife have two children. He plays two instruments, a 1733 Montagnana cello from Venice and the 1712 Davidoff Stradivarius. For additional information, see: www.yo-yoma. com, www.silkroadproject.org, and www.opus3artists.com. HOUSE_OVE