Epstein Secrets

use of excitement. We are led to the part of the set used for the cocktail reception and placed around Michael Douglas and Charlie Sheen stand-ins. Charlie has been flown in from LA for half a day's work to reprise his original character. He is now the highest paid television actor commanding two millio

que Van Vooren, both in their 80s, are seated in front of the fireplace chatting in French. Production assistants fuss over them. Debonair macho man Chuck Pfieffer, who appeared in the original film, and I immediately invent a back story—I am his corporate wife—and we position ourselves on a couch next to the

use of excitement. We are led to the part of the set used for the cocktail reception and placed around Michael Douglas and Charlie Sheen stand-ins. Charlie has been flown in from LA for half a day's work to reprise his original character. He is now the highest paid television actor commanding two millio

que Van Voorcn, both in their 80s, arc seated in front of the fireplace chatting in French. Production assistants fuss over them. Debonair macho man Chuck Pfieffer, who appeared in the original film, and I immediately invent a back story—I am his corporate wife—and we position ourselves on a couch next to the d

use of excitement. We are led to the part of the set used for the cocktail reception and placed around Michael Douglas and Charlie Sheen stand-ins. Charlie has been flown in from LA for half a day's work to reprise his original character. He is now the highest paid television actor commanding two millio

oyfriend Shia work. At sundown Julia Koch has to race from reel to real life and explain to her husband where she has been all day. (He loves it.) Chuck Pfieffer plants a "Page Six" item and the next day socialites begin calling me to get into the film. Thursday, November 5, Shun Lee Restaurant, \Vest 65th St

f Men." Oliver arrives on the set greeting, examining, tweaking the shot and always pulling the prettiest girls closest to the camera. Michael and Charlie arrive from their trailers and run their lines as socials drift into their sight lines challenging their concentration on pages of dialogue. Oliver

nd her friend Monique Van Vooren, both in their 80s, are seated in front of the fireplace. Production assistants fuss over them. Debonair macho man Chuck Pfieffer, who appeared in the original film, and I immediately invent a back story—I am his corporate wife—and we position ourselves on a couch next to the d

ique Van Vooren, both in their 80s, are seated in front of the fireplace chatting in French. Production assistants fuss over them. Debonair macho man Chuck Pfieffer, who appeared in the original film, and I immediately invent a back story—I am his corporate wife—and we position ourselves on a couch next to the di

ouse of excitement. We are led to the part of the set used for the cocktail reception and placed around Michael Douglas and Charlie Sheen stand-ins. Charlie has been flown in from LA for half a day's work to reprise his original character. He is now the highest paid television actor commanding two million

ique Van Vooren, both in their 80s, are seated in front of the fireplace chatting in French. Production assistants fuss over them. Debonair macho man Chuck Pfieffer, who appeared in the original film, and I immediately invent a back story—I am his corporate wife—and we position ourselves on a couch next to the di

ouse of excitement. We are led to the part of the set used for the cocktail reception and placed around Michael Douglas and Charlie Sheen stand-ins. Charlie has been flown in from LA for half a day's work to reprise his original character. He is now the highest paid television actor commanding two million

ique Van Vooren, both in their 80s, are seated in front of the fireplace chatting in French. Production assistants fuss over them. Debonair macho man Chuck Pfieffer, who appeared in the original film, and I immediately invent a back story—I am his corporate wife-and we position ourselves on a couch next to the di

. It's a madhouse of We are led to the part of the set used for the cocktail reception and placed around Michael Douglas and Charlie Sheen stand-ins. Charlie has been flown in from LA for half a day's work to reprise his original character. He is now the highest paid television actor commanding two million

ique Van Vooren, both in their 80s, are seated in front of the fireplace chatting in French. Production assistants fuss over them. Debonair macho man Chuck Pfieffer, who appeared in the original film, and I immediately invent a back story—I am his corporate wife—and we position ourselves on a couch next to the di

house of excitement. We are led to the part of the set used for the cocktail reception and placed around Michael Douglas and Charlie Sheen stand-ins. Charlie has been flown in from LA for half a day's work to reprise his original character. He is now the highest paid television actor commanding two million