Epstein Secrets

llan Kaprow and Carolee Schneemann; dancer Tricia Brown; filmmakers Jack Smith, Stan Vanderbeek, Ed Emshw

ing a place to begin. New Technologies=New Perceptions Before AI, there was Cybernetics—the idea of automatic, self-regulating control, laid out in Norbert Wiener’s foundational text of 1948. I can date my own serious exposure to it to 1966, when the composer John Cage invited me and four or five other young arts

barely), the red lines shift. Just before Louise Brown’s birth in 1978, many people were worried that sh

agic or mysticism of an earlier age— as by their modern-sounding insights. I detect that same doubleness—the zig-zag origami folds of old and new—in Norbert Wiener’s classic The Human Use of Human Beings. First published in 1950 and revised in 1954, the book is in many ways extraordinarily prescient. Wiener, the M

llan Kaprow and Carolee Schneemann; dancer Tricia Brown; filmmakers Jack Smith, Stan Vanderbeek, Ed Emshw

ing a place to begin. New Technologies=New Perceptions Before AI, there was Cybernetics—the idea of automatic, self-regulating control, laid out in Norbert Wiener’s foundational text of 1948. I can date my own serious exposure to it to 1966, when the composer John Cage invited me and four or five other young arts

barely), the red lines shift. Just before Louise Brown’s birth in 1978, many people were worried that sh

agic or mysticism of an earlier age— as by their modern-sounding insights. I detect that same doubleness—the zig-zag origami folds of old and new—in Norbert Wiener’s classic The Human Use of Human Beings. First published in 1950 and revised in 1954, the book is in many ways extraordinarily prescient. Wiener, the M