Epstein Secrets

llan Kaprow and Carolee Schneemann; dancer Tricia Brown; filmmakers Jack Smith, Stan Vanderbeek, Ed Emshw

Shannon, and Marshall McLuhan, all of whom had currency in the New York art circles in which I was then moving. In particular, Cage had picked up on McLuhan’s idea that by inventing electronic technologies we had externalized our central nervous system—that is, our minds—and that we now had to presume tha

barely), the red lines shift. Just before Louise Brown’s birth in 1978, many people were worried that sh

s of Curating and Lives of the Artists, Lives of the Architects. In the Introduction to the second edition of his book Understanding Media, Marshall McLuhan noted the ability of art to “anticipate future social and technological developments.” Art is “an early alarm system,” pointing us to new development

llan Kaprow and Carolee Schneemann; dancer Tricia Brown; filmmakers Jack Smith, Stan Vanderbeek, Ed Emshw

Shannon, and Marshall McLuhan, all of whom had currency in the New York art circles in which I was then moving. In particular, Cage had picked up on McLuhan’s idea that by inventing electronic technologies we had externalized our central nervous system—that is, our minds—and that we now had to presume tha

barely), the red lines shift. Just before Louise Brown’s birth in 1978, many people were worried that sh

s of Curating and Lives of the Artists, Lives of the Architects. In the Introduction to the second edition of his book Understanding Media, Marshall McLuhan noted the ability of art to “anticipate future social and technological developments.” Art is “an early alarm system,” pointing us to new development