Epstein Secrets

nnamable, op. cit., pp. 394-95. aceThere was never . . . me of me.a A A a Valery, op. cit., p. 40. AceWhen I dream I . I not . . . Nature% A A 54. Brown, op. cit., p. 100. acea fall into . . . natural object: tprojected.aTMa Acethe death of . . . birth of poetry.fi A A a Ibid., p. 107 (quoting Blake)

society / Without a society.A A A 44. Stevens, ficeNotes Toward a Supreme Fiction,a op. cit., p. 383. aceThe first idea was not our own.li A A 45. Wittgenstein, Zettel, p. 58e, para. 315. AceWhy do you .. . are at present.A A A 46 Ibid., p. 199e, para. 687. aceWhy is a . . . than a tautology.a A A 47. Stei

on Brillouin, Scientific Uncertainty and Information (New York: Academic Press, Inc., (1964), p. 64. aceA no manams . . . past and future" A A A 6. Wittgenstein, op. cit., p. 116e, pares. 662-64. acea seeing into . . . past to us.A A A A 7 Ludwig Wittgenstein, Traciatus Logico-Philosophicus, trans.D. F. Pear

together intellectuals, philosophers, psychologists, =nd scientists. Each has been asked to lecture on his own work in terms =f its relationship to Brown's new ideas in mathematics. C. Spencer =rown lectures for two days on his Laws of Form. Alan Watts talks of =astern religious thought. John Lilly di

audio Naranjo, and Charles Tart are in =ttendance. Heinz von Foerster holds forth on cybernetic modeling. My =wn topic is "Einstein, Gertrude Stein, Wittgenstein, and Frankenstein." Perhaps, of all the "Masters" present, Gregory Bateson, at sixty-eight, =s at once the best known and the least known. Among hi

gence Laboratory. Condensed in P. Winston and R. Brown, eds. 1979. Artificial Intelligence. Cam• bridge

1975. "Learning Structural Descriptions by Examples." In P. Winston, ed. 1975. Psychology of Computer Vision. New York: McGraw-Hill, pp. 157-209. Wittgenstein, L. 1953. Philosophical Investigations. Ox- ford: Oxford University Press. 44 Computer Music Journal EFTA00284105

llan Kaprow and Carolee Schneemann; dancer Tricia Brown; filmmakers Jack Smith, Stan Vanderbeek, Ed Emshw

e a phony.” “And, John”, he continued, Iam a phony. But John, Iam a real phony!” The next day I gave my lecture, entitled "Einstein, Gertrude Stein, Wittgenstein, and Frankenstein." Einstein: the revolution in 20" century physics; Gertrude Stein: the first writer who made integral to her work the idea of an in

llan Kaprow and Carolee Schneemann; dancer Tricia Brown; filmmakers Jack Smith, Stan Vanderbeek, Ed Emshw

e a phony.” “And, John”, he continued, Iam a phony. But John, Iam a real phony!” The next day I gave my lecture, entitled "Einstein, Gertrude Stein, Wittgenstein, and Frankenstein." Einstein: the revolution in 20" century physics; Gertrude Stein: the first writer who made integral to her work the idea of an in