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d (in a headline that's now pretty dated), "First Black Elected to Head Harvard's Law Review," and expla
Byrd returned to somewhat straight-ahead jazz later in his career, releasing three albums for Orrin Keepnews' Landmark Records, and his final album Touchstone, a quintet. In the late '8os and early '9os, Byrd returned to the hard bop of his early days on several sessions for the Landmark label. He partici
d (in a headline that's now pretty dated), "First Black Elected to H=ad Harvard's Law Review," and explai
Byrd returned to somewhat straight-ahead jazz later in his career, releasing three albums fo= Orrin Keepnews' Landmark Records, and his final album Touchstone, a qui=tet. In the late '80s and early '90s, Byrd returned 22 EFTA_R1_02077698 EFTA02703064 to the hard bop of his early days on several session
INTELLECTUAL JAZZ DAVID AGUS DAN ARIELY KEITH BLACK DAVID BLAINE MIKE BLOCK ADAM BLY SCOTT BOLTON DAVI
INTELLECTUAL JAZZ DAVID AGUS DAN ARIELY KEITH BLACK DAVID BLAINE MIKE BLOCK ADAM BLY SCOTT BOLTON DAVID BROOKS MARK CUBAN ANTONIO DAMASIO JACK DANGERMOND DAVE GALLO FRANK GEHRY MATT GROENING HERBIE HANC
Page: HOUSE_OVERSIGHT_017526 →ich, at the time, ranked last at the box office among the major studios. He focused the studio on the production of adult-oriented comedies under its Touchstone Pictures banner, including films such as Down and Out in Beverly Hills (1986), Three Men and a Baby (1987) and Good Morning, Vietnam (1987). By 1987,
Page: HOUSE_OVERSIGHT_017547 →Entities connected to both Leon Black and Touchstone

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