Epstein Secrets

record over 60 EFTA00668859 albums, enjoying a rich musical career, performing and recording in the U

ssist Oscar Pettiford, and drummer Kenny Clarke, had her first important job as a pianist with the Benny Carter's big band (1944), worked with Count Basie (1944) and made first recording as pianist with the Mercer Ellington Band (1946-1947). But it was while working in Brooklyn that she came to the at

His performances have been described as "vital, rich-hued solo playing" by the New York Times, and "a

his reputation as an arranger grew. By the mid-so's, he was arranging and recording for such diverse artists as Sarah Vaughan, Ray Charles, Count Basie, Duke Ellington, Big Maybelle, Dinah Washington, Cannonball Adderly and LeVern Baker. In 1957, Quincy decided to continue his musical education by

. His performances have been described as “vital, rich-hued solo playing” by the New York Times, and “a

“I Can’t Stop Loving You.” Quincy’s three-year musical association as conductor and arranger with Frank Sinatra in the mid-60’s also teamed him with Basie for the classic Sinatra At The Sands, containing the famous arrangement of “Fly Me To The Moon,” the first recording played by astronaut Buzz Aldrin