Epstein Secrets

nd Atoms. He is the author of AB, co-author (with Alan Gershenfeld & Joel Cutcher-Gershenfeld) of Design

the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. David Kaiser is Germeshausen Professor of the History of Science and professor of physics at MIT, and h

d Atoms. He is the author of FAB, co-author (with Alan Gershenfeld & Joel Cutcher-Gershenfeld) of Design

the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. Cybernated art is very important, but art for cybernated life is more important. — Nam June Paik, 1966

nd Atoms. He is the author of AB, co-author (with Alan Gershenfeld & Joel Cutcher-Gershenfeld) of Design

the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. David Kaiser is Germeshausen Professor of the History of Science and professor of physics at MIT, and h

d Atoms. He is the author of FAB, co-author (with Alan Gershenfeld & Joel Cutcher-Gershenfeld) of Design

the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. Cybernated art is very important, but art for cybernated life is more important. — Nam June Paik, 1966