Epstein Secrets

amour," and "the longest gala of my life. I was in black tie for thirteen hours." November 25, Tommy Gun Salon, Ludlow Street, last day of shooting Donald Trump is on set at 7 a.m. ready for his close up. He is trying to make a mid-day departure on his jet from Teterboro with wife Melania and son Baron for T

site suit and signature slicked-back hair. Donald Trump walks into the shop for a cut and the banter begins about the money market. From his chair, Donald leans into Michael and suggests a "comb over" like his famous do. Gekko, with a slight grin, says, "No thanks Donald, I am a gel man." EFTA00744361

alon, Ludlow Street, last day of shooting Donald Trump is on set at 7 a.m. ready for his close up. He is

r-old father, Tulley Rector. Charlie Sheen leaves for LA and Shia is very annoyed he was not introduced to his hero. Carrie Mulligan, costumed like Audrey Hepburn, chats with us between takes. The final set up is a long tracking shot of Josh Brolin and his wife as they triumphantly enter the ball. It is close

lamour? and "the longest gala of my life. I was in black tie for thirteen hours." November 25, Tommy Gun Salon, Ludlow Street, last day of shooting Donald Trump is on set at 7 a.m. ready for his close up. He is trying to make a mid-day departure on his jet from EFTA_R1_00197076 EFTA01823330 Teterboro with

site suit and signature slicked-back hair. Donald Trump walks into the shop for a cut and the banter begins about the money market. From his chair, Donald leans into Michael and suggests a "comb over" like his famous do. Gekko, with a slight grin, says, "No thanks Donald. I am a gel man." The crew is

alon, Ludlow Street, last day of shooting Donald Trump is on set at 7 a.m. ready for his close up. He is

arold father, Tulley Rector. Charlie Sheen leaves for LA and Shia is very annoyed he was not introduced to his hero. Carrie Mulligan, costumed like Audrey Hepburn, chats with us between takes. The final set up is a long tracking shot of Josh Brolin and his wife as they triumphantly enter the ball. It is close

alon, Ludlow Street, last day of shooting Donald Trump is on set at 7 a.m. ready for his close up. He is

amour," and "the longest gala of my life. I was in black tie for thirteen hours." November 25, Tommy Gun Salon, Ludlow Street, last day of shooting Donald Trump is on set at 7 a.m. ready for his close up. He is trying to make a mid-day departure on his jet from Teterboro with wife Melanie and son Baron for T

isite suit and signature slicked-back hair. Donald Trump walks into the shop for a cut and the banter begins about the money market. From his chair, Donald leans into Michael and suggests a "comb over like his famous do. Gekko, with a slight grin, says, "No thanks Donald. 1 am a gel man." The crew is

r-old father. Tulley Rector. Charlie Sheen leaves for LA and Shia is very annoyed he was not introduced to his hero. Carrie Mulligan, costumed like Audrey Hepburn. chats with us between takes. The final set up is a long tracking shot of Josh Brolin and his wife as they triumphantly enter the ball. It is close

" and "the longest gala of my life. I was in black tie for thirteen hours." November 25, last day of shooting Back in September, Oliver had invited Donald Trump to dinner at "21" to meet his leading men Josh and Shia so they could observe New York's most charismatic powerbroker in his natural environment. No

dinner at "21" to meet his leading men Josh and Shia so they could observe New York's most charismatic powerbroker in his natural environment. Now, Donald is ready for his close-up at Tommy Guns Salon on Ludlow Street on the Lower East Side. Donald is on set at 7 a.m. He is trying to make a mid-day ta

ing Back in September, Oliver had invited Donald Trump to dinner at "21" to meet his leading men Josh an

-year-old father, Tulley Rector. Charlie Sheen leaves for LA and Shia is very annoyed he was not introduced to his hero. Carrie Mulligan looks like Audrey Hepburn and chats with us. The final set up is a long tracking shot of Josh Brolin and his wife as they triumphantly enter the ball. It is close to 9 p.m.

amour," and “the longest gala of my life. I was in black tie for thirteen hours.” November 25, Tommy Gun Salon, Ludlow Street, last day of shooting Donald Trump is on set at 7 a.m. ready for his close up. He is trying to make a mid-day departure on his jet from Teterboro with wife Melania and son Baron for Th

alon, Ludlow Street, last day of shooting Donald Trump is on set at 7 a.m. ready for his close up. He is

ear-old father, Tulley Rector. Charlie Sheen leaves for LA and Shia is very annoyed he was not introduced to his hero. Carrie Mulligan, costumed like Audrey Hepburn, chats with us between takes. The final set up is a long tracking shot of Josh Brolin and his wife as they triumphantly enter the ball. It is close

amour," and “the longest gala of my life. I was in black tie for thirteen hours." November 25, Tommy Gun Salon, Ludlow Street, last day of shooting Donald Trump is on set at 7 a.m. ready for his close up. He is trying to make a mid-day departure on his jet from Teterboro with wife Melania and son Baron for Th

alon, Ludlow Street, last day of shooting Donald Trump is on set at 7 a.m. ready for his close up. He is

ear-old father, Tulley Rector. Charlie Sheen leaves for LA and Shia is very annoyed he was not introduced to his hero. Carrie Mulligan, costumed like Audrey Hepburn, chats with us between takes. The final set up is a long tracking shot of Josh Brolin and his wife as they triumphantly enter the ball. It is close

glamour," and "the longest gala of my life. I was in black tie for thirteen hours." November 25, Tommy Gun Salon, Ludlow Street, last day of shooting Donald Trump is on set at 7 a.m. ready for his close up. He is trying to make a mid-day departure on his jet from Teterboro with wife Melania and son Baron for Th

Salon, Ludlow Street, last day of shooting Donald Trump is on set at 7 a.m. ready for his close up. He is

ear-old father, Tulley Rector. Charlie Sheen leaves for LA and Shia is very annoyed he was not introduced to his hero. Carrie Mulligan, costumed like Audrey Hepburn, chats with us between takes. The final set up is a long tracking shot of Josh Brolin and his wife as they triumphantly enter the ball. It is close t

glamour," and "the longest gala of my life. I was in black tie for thirteen hours." November 25, Tommy Gun Salon, Ludlow Street, last day of shooting Donald Trump is on set at 7 a.m. ready for his close up. He is trying to make a mid-day departure on his jet from Teterboro with wife Melania and son Baron for Th

Salon, Ludlow Street, last day of shooting Donald Trump is on set at 7 a.m. ready for his close up. He is

ear-old father, Tulley Rector. Charlie Sheen leaves for LA and Shia is very annoyed he was not introduced to his hero. Carrie Mulligan, costumed like Audrey Hepburn, chats with us between takes. The final set up is a long tracking shot of Josh Brolin and his wife as they triumphantly enter the ball. It is close t

picture: “Fences,” “Hidden Figures” and “Moonlight.” Lionsgate's "La La Land" was a joyous escape from months of simmering frustration and anger at Donald J. Trump, himself a creature of the entertainment industry. The charming and modern musical “La La” danced its way to multiple awards from critics, at the PGA

hile tweeting a photo of Emma Stone, handed Warren Beatty the wrong envelope. Chaos—and headlines—ensued. Tweets, chaos and headlines? It was all too Trump for words. When | arrived at the Dolby Theater that night, | asked a dateless Andrew Garfield to take me onto the red carpet with him, to the chagri

from months of simmering frustration and anger at Donald J. Trump, himself a creature of the entertainment in

Schwarzman in Palm Beach—and headed straight to Charles Finch's photo exhibition, "The Art of Behind the Scenes," to see rare candid on-set photos of Audrey Hepburn, Brigitte Bardot, Grace Kelly and Ava Gardner. Oscar balloting had closed an hour earlier, and IndieWire's Oscar blogger Anne Thompson announced tha

ng he would not travel to Hollywood in protest of President Trump's proposed travel ban on seven Muslim countries.

picture: “Fences,” “Hidden Figures” and “Moonlight.” Lionsgate's "La La Land" was a joyous escape from months of simmering frustration and anger at Donald J. Trump, himself a creature of the entertainment industry. The charming and modern musical “La La” danced its way to multiple awards from critics, at the PGA

hile tweeting a photo of Emma Stone, handed Warren Beatty the wrong envelope. Chaos—and headlines—ensued. Tweets, chaos and headlines? It was all too Trump for words. When | arrived at the Dolby Theater that night, | asked a dateless Andrew Garfield to take me onto the red carpet with him, to the chagri

from months of simmering frustration and anger at Donald J. Trump, himself a creature of the entertainment in

" Birthday in Palm Beach—and headed straight to Charles Finch's photo exhibition, "The Art of Behind the Scenes," to see rare candid on-set photos of Audrey Hepburn, Brigitte Bardot, Grace Kelly and Ava Gardner. Oscar balloting had closed an hour earlier, and IndieWire's Oscar blogger Anne Thompson announced tha

ng he would not travel to Hollywood in protest of President Trump's proposed travel ban on seven Muslim countries.