Epstein Secrets

ter for a New Audience "never does big budgets." 2 EFTA_R1_01730182 EFTA02565623 Ms. Taymor said she was talking over ideas fo= "Midsummer" with Es Devlin, the British set and costume de=igner who is known for big-budget spectacles like the closing ceremony for t=e London Olympic Games last summer. "M

ience. It was the first play by Shakespeare s=e directed. Goldenthal composed the original music. Taymor and Goldenthal l=ter directed and composed Theatre for a New Audience's productions of Th= Taming of the Shrew, Titus Andronicus and in 1996, Carlo Gozzi's <=>The Green Bird, which transferred to Broadway in 2000. Compo

$75 million budget, more than twice as much money as any Broadway sho= in history. Ms. Taymor said she was talking over ideas for "=idsummer" with Es Devlin, the British set and costume designer who i= known for big-budget spectacles like the closing ceremony for the London O=ympic Games last summer. "M

rowitz said in a statement, "Julie and Elliot are bold= innovative, adventurous artists. We first worked together in 1984 on a 60-=inute version for Theatre for a New Audience's A Midsummer Night's Dream=/i> presented at the Public Theater. Twenty-nine years later, it's thrillin= they are directing and composing the first fu

$75 million budget, more than twice as much money as any Broadway show in history. Ms. Taymor said she was talking over ideas for "Midsummer" with Es Devlin, the British set and costume designer who is known for big-budget spectacles like the closing ceremony for the London Olympic Games last summer. "M

ience. It was the first play by Shakespeare she directed. Goldenthal composed the original music. Taymor and Goldenthal later directed and composed Theatre for a New Audience's productions of The Taming of the Shrets; Titus Andronicus and in 1996, Carlo Gozzi's The Green Bird, which transferred to Broadway in 2000. Compose

dget, more than twice as much money as any Broadway show in history. EFTA00396526 Ms. Taymor said she was talking over ideas for "Midsummer" with Es Devlin, the British set and costume designer who is known for big-budget spectacles like the closing ceremony for the London Olympic Games last summer. "M

ience. It was the first play by Shakespeare she directed. Goldenthal composed the original music. Taymor and Goldenthal later directed and composed Theatre for a New Audience's productions of The Taming of the Shrets; Titus Andronicus and in 1996, Carlo Gozzi's The Green Bird, which transferred to Broadway in 2000. Compose