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missal, and says he's currently looking for a new job. "I've got bigger things to worry about than the shirts, basically," he said. Call to mouths KELLY Osboume thinks her Hollywood friends are too thin. "Sure they're beautiful in photographs. But when you see them in person, they look hungry and miserable,"
sque fashion editor had been running Flare, the Toronto- based fashion bible of Canada for 7 years when she was picked by Ed Lewis, then the head of Essence Communications, and Isolde Motley, the corporate editor of Time, to launch Suede, which was envisioned as a hot new fashion magazine for women of color. Boyd arri
missal, and says he's currently looking for a new job. "I've got bigger things to worry about than the shirts, basically," he said. Call to mouths KELLY Osboume thinks her Hollywood friends are too thin. "Sure they're beautiful in photographs. But when you see them in person, they look hungry and miserable,"
sque fashion editor had been running Flare, the Toronto- based fashion bible of Canada for 7 years when she was picked by Ed Lewis, then the head of Essence Communications, and Isolde Motley, the corporate editor of Time, to launch Suede, which was envisioned as a hot new fashion magazine for women of color. Boyd arri
missal, and says he's currently looking for a new job. "I've got bigger things to worry about than the shirts, basically," he said. Call to mouths KELLY Osboume thinks her Hollywood friends are too thin. "Sure they're beautiful in photographs. But when you see them in person, they look hungry and miserable,"
sque fashion editor had been running Flare, the Toronto- based fashion bible of Canada for 7 years when she was picked by Ed Lewis, then the head of Essence Communications, and Isolde Motley, the corporate editor of Time, to launch Suede, which was envisioned as a hot new fashion magazine for women of color. Boyd arri
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