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fibers: Responses to musical intervals composed of pure tones vs. harmonic complex tones. Society for Neuroscience Abstracts 1992; 18:382 28. Tramo MJ Split-brain studies of music perception and cognition. Contemporary Music Review 1993; 9:113.121 29. Loftus WC, Tramo MJ, Thomas CE, Green RL, Nordgren R
ones vs. harmonic complex tones. Society for Neuroscience Abstracts 1992; 18:382 28. Tramo MJ Split-brain studies of music perception and cognition. Contemporary Music Review 1993; 9:113.121 29. Loftus WC, Tramo MJ, Thomas CE, Green RL, Nordgren RA, Gazzaniga MS Three dimensional quantitative analysis of hemispheric asy
fibers: Responses to musical intervals composed of pure tones vs. harmonic complex tones. Society for Neuroscience Abstracts 1992; 18:382 28. Tramo MJ Split-brain studies of music perception and cognition. Contemporary Music Review 1993; 9:113.121 29. Loftus WC, Tramo MJ, Thomas CE, Green RL, Nordgren R
ones vs. harmonic complex tones. Society for Neuroscience Abstracts 1992; 18:382 28. Tramo MJ Split-brain studies of music perception and cognition. Contemporary Music Review 1993; 9:113.121 29. Loftus WC, Tramo MJ, Thomas CE, Green RL, Nordgren RA, Gazzaniga MS Three dimensional quantitative analysis of hemispheric asy
fibers: Responses to musical intervals composed of pure tones vs. harmonic complex tones. Society for Neuroscience Abstracts 1992; 18:382 28. Tramo MJ Split-brain studies of music perception and cognition. Contemporary Music Review 1993; 9:113.121 29. Loftus WC, Tramo MJ, Thomas CE, Green RL, Nordgren R
ones vs. harmonic complex tones. Society for Neuroscience Abstracts 1992; 18:382 28. Tramo MJ Split-brain studies of music perception and cognition. Contemporary Music Review 1993; 9:113.121 29. Loftus WC, Tramo MJ, Thomas CE, Green RL, Nordgren RA, Gazzaniga MS Three dimensional quantitative analysis of hemispheric asy
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