Epstein Secrets

t its consequences are intimately bound up in the idea of an impending technological singularity. His work on neuroscience and his initial support of McCulloch and Pitts adumbrated the startlingly effective deep-learning methods of the present day. Over the past decade, and particularly in the last five year

ing a place to begin. New Technologies=New Perceptions Before AI, there was Cybernetics—the idea of automatic, self-regulating control, laid out in Norbert Wiener’s foundational text of 1948. I can date my own serious exposure to it to 1966, when the composer John Cage invited me and four or five other young arts

It’s fun to show it an abstract painting and see what it says. But it does a pretty good job. It works using the same neural-network technology that McCulloch and Pitts imagined in 1943 and lots of us worked on in the early eighties. Back in the 1980s, people successfully did OCR—optical character recogniti

agic or mysticism of an earlier age— as by their modern-sounding insights. I detect that same doubleness—the zig-zag origami folds of old and new—in Norbert Wiener’s classic The Human Use of Human Beings. First published in 1950 and revised in 1954, the book is in many ways extraordinarily prescient. Wiener, the M

t its consequences are intimately bound up in the idea of an impending technological singularity. His work on neuroscience and his initial support of McCulloch and Pitts adumbrated the startlingly effective deep-learning methods of the present day. Over the past decade, and particularly in the last five year

ing a place to begin. New Technologies=New Perceptions Before AI, there was Cybernetics—the idea of automatic, self-regulating control, laid out in Norbert Wiener’s foundational text of 1948. I can date my own serious exposure to it to 1966, when the composer John Cage invited me and four or five other young arts

It’s fun to show it an abstract painting and see what it says. But it does a pretty good job. It works using the same neural-network technology that McCulloch and Pitts imagined in 1943 and lots of us worked on in the early eighties. Back in the 1980s, people successfully did OCR—optical character recogniti

agic or mysticism of an earlier age— as by their modern-sounding insights. I detect that same doubleness—the zig-zag origami folds of old and new—in Norbert Wiener’s classic The Human Use of Human Beings. First published in 1950 and revised in 1954, the book is in many ways extraordinarily prescient. Wiener, the M