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r, the London-based, peripatetic art curator Hans Ulrich Obrist (known to all as HUO), and ask if there was anyon
ning, waiting in the lounge at JFK, I had had the bright idea to write my friend and longtime collaborator, the London-based, peripatetic art curator Hans Ulrich Obrist (known to all as HUO), and ask if there was anyone in Milan I should know. Once I was settled at the hotel, the phone began ringing and a procession
and public space; and fashion designer Miuccia Prada, who “requests your presence for tea this afternoon at Prada headquarters.” And thus, thanks to HUO, did the jet-lagged “great American visionary thinker” stumble and mumble his way through his first day in Milan, November 2011. HUO is sui generis:
HT_016385 THE RIGHTS OF MACHINES George M. Church George M. Church is Robert Winthrop Professor of Genetics at Harvard Medical School; Professor of Health Sciences and Technology, Harvard-MIT; and co-author (with Ed Regis) of Regenesis: How Synthetic Biology Will Reinvent Nature and Ourselves. In 1950, Norbert Wiener’s Zhe Hu
r, the London-based, peripatetic art curator Hans Ulrich Obrist (known to all as HUO), and ask if there was anyon
ning, waiting in the lounge at JFK, I had had the bright idea to write my friend and longtime collaborator, the London-based, peripatetic art curator Hans Ulrich Obrist (known to all as HUO), and ask if there was anyone in Milan I should know. Once I was settled at the hotel, the phone began ringing and a procession
and public space; and fashion designer Miuccia Prada, who “requests your presence for tea this afternoon at Prada headquarters.” And thus, thanks to HUO, did the jet-lagged “great American visionary thinker” stumble and mumble his way through his first day in Milan, November 2011. HUO is sui generis:
HT_016968 THE RIGHTS OF MACHINES George M. Church George M. Church is Robert Winthrop Professor of Genetics at Harvard Medical School; Professor of Health Sciences and Technology, Harvard-MIT; and co-author (with Ed Regis) of Regenesis: How Synthetic Biology Will Reinvent Nature and Ourselves. In 1950, Norbert Wiener’s Zhe Hu
tum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, L
and an external professor at the Santa Fe Institute. He is the author of Programming the Universe: A Quantum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. Judea
Robotics. He is the author of //esh and Machines. George M. Church is Robert Winthrop Professor of Genetics at Harvard Medical School; Professor of Health Sciences and Technology, Harvard-MIT; and co-author (with Ed Regis) of Regenesis: How Synthetic Biology Will Reinvent Nature and Ourselves. Daniel C. Dennett is University
tum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, L
and an external professor at the Santa Fe Institute. He is the author of Programming the Universe: A Quantum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. Judea
Robotics. He is the author of //esh and Machines. George M. Church is Robert Winthrop Professor of Genetics at Harvard Medical School; Professor of Health Sciences and Technology, Harvard-MIT; and co-author (with Ed Regis) of Regenesis: How Synthetic Biology Will Reinvent Nature and Ourselves. Daniel C. Dennett is University
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