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er brunch on a recent Sunday, my girlfriends and I chatted about their Saturday night out— this one talked to one of the Dells; that one sat next to Stewart Rahr, the pharmaceutical mogul and owner of the most expensive home in the Hamptons; and everyone saw Ian Schrager. "He's not a billionaire!" huffed on
that he was doing well and working steadily—between massages." In books, the billionaire has become a symbol of ultimate power and freedom—they're Gatsbys, yes, but they own the light at the end of the dock. In Michael Tolkin's The Return of the Player, the player tries to make a fortune working for a
er brunch on a recent Sunday, my girlfriends and I chatted about their Saturday night out— this one talked to one of the Dells; that one sat next to Stewart Rahr, the pharmaceutical mogul and owner of the most expensive home in the Hamptons; and everyone saw Ian Schrager. "He's not a billionaire!" huffed on
that he was doing well and working steadily—between massages." In books, the billionaire has become a symbol of ultimate power and freedom—they're Gatsbys, yes, but they own the light at the end of the dock. In Michael Tolkin's The Return of the Player, the player tries to make a fortune working for a
er brunch on a recent Sunday, my girlfriends and I chatted about their Saturday night out— this one talked to one of the Dells; that one sat next to Stewart Rahr, the pharmaceutical mogul and owner of the most expensive home in the Hamptons; and everyone saw Ian Schrager. "He's not a billionaire!" huffed on
that he was doing well and working steadily—between massages." In books, the billionaire has become a symbol of ultimate power and freedom—they're Gatsbys, yes, but they own the light at the end of the dock. In Michael Tolkin's The Return of the Player, the player tries to make a fortune working for a
er brunch on a recent Sunday, my girlfriends and I chatted about their Saturday night out—this one talked to one of the Dells; that one sat next to Stewart Rahr, the pharmaceutical mogul and owner of the most expensive home in the Hamptons; and everyone saw Ian Schrager. "He's not a billionaire!" huffed one
that he was doing well and working steadily—between massages." In books, the billionaire has become a symbol of ultimate power and freedom—they're Gatsbys, yes, but they own the light at the end of the dock. In Michael Tolldn's The Return of the Player, the player tries to make a fortune working for a
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