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everything he can about how the business works—not just the craft of acting. but from the producing standpoint, from the studio standpoint.- says Jon Gordon. exec- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to run a studio at some po
s a classic iceberg. What you see is not what you get." ven acquaintances sense a curious dichotomy: les. he lives like a "modern ma- haraja." as Leah Kiernan. one of his art dealers. puts it. Yet he is fastidiously. a4 most obsessively private—he lists himself in the phone book under a pseudonym. He r
everything he can about how the business works—not just the craft of acting, but from the producing standpoint, from the studio standpoint." says Jon Gordon, exec- utive vice president of production at Mira- mar. "He knows how deals work. ft's what sets him apart. If he wanted to run a studio at some po
's a classic iceberg. What you see is not what you get.- ven acquaintances sense a curious dichotomy: Yes. he lives like a "modern ma- haraja:' as Leah Kiernan, one of his an dealers. puts it. Yet he is fastidiously, al- most obsessively private—he fists himself in the phone book under a pseudonym. He ra
everything he can about how the business works—not just the craft of acting. but from the producing standpoint, from the studio standpoint," says Jon Gordon. exec- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to run a studio at some po
s a classic iceberg. What you see is not what you get." wen acquaintances sense a curious dichotomy: Yes. he lives like a "modern ma- haraja.- as Leah Kiernan, one of his art dealers. puts it. Yet he is fastidiously. al- most obsessively private—he lists himself in the phone book under a pseudonym. He r
everything he can about how the business works—not just the craft of acting, but from the producing standpoint. from the studio standpoint." says Jon Gordon, at- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to tun a studio at some poin
He's a classic iceberg. What you see is not what you get:' ven acquaintances sense a curious dichotomy: Yes he lives like a "modem ma- haraja: as Leah Kiernan, one of his art dealers. puts it. Yet he is fastidiously. al- most obsessively private—he lists himself in the phone book under a pseudonym. He r
everything he can about how the business works—not just the craft of acting, but from the producing standpoint, from the studio standpoint." says Jon Gordon, exec- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to run a studio at some po
s a classic iceberg. What you see is not what you get." ven acquaintances sense a curious dichotomy: Yes. he lives like a "modern ma- haraja.- as Leah Kiernan. one of his art dealers. puts it. Yet he is fastidiously, al- most obsessively private—he lists himself in the phone book under a pseudonym. He r
everything he can about how the business works—not just the craft of acting, but from the producing standpoint, from the studio standpoint," says Jon Gordon, exec- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to run a studio at some po
ten better that people hate me, not the client." "You've probably heard I'm vicious ins my representation of my clients,- he tells people proudly; Leah Kiernan describes his haggling over art prices as something like ; a scene out of the movie Mad Mar Be- yond Thunderdome. Even a former mentor g says he's
everything he can about how the business works—not just the craft of acting, but from the producing standpoint, from the studio standpoint." says Jon Gordon, exec- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to run a studio at some po
's a classic iceberg. What you see is not what you get." en acquaintances sense a curious dichotomy: Yes, he lives like a "modern ma- haraja." as Leah Kiernan, one of his art dealers. puts it. Yet he is fastidiously, al- most obsessively private—he lists himself in the phone book under a pseudonym. He r
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