Epstein Secrets

everything he can about how the business works—not just the craft of acting. but from the producing standpoint, from the studio standpoint.- says Jon Gordon. exec- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to run a studio at some po

ling mysteries among New York's moneyed world. People know snippets. but few know the whole. -He's wry enigmatiC says Rosa NIonck- ton. the former C.E.O. of Tiffany & Co. in the U.K. and a close friend since the early 1980s. 'You think you know him and then you peel off another 'ring of the onion skin

everything he can about how the business works—not just the craft of acting. but from the producing standpoint, from the studio standpoint," says Jon Gordon. exec- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to run a studio at some po

fling mysteries among New York's moneyed world. People know snippets, but kw know the whole. "He's wry enigmatic." says Rosa Mond- ton, the former C.E.O. of Tiffany & Co. in the U.K. and a close friend since the early 1980s. "You think you know him and then you peel off another ring of the onion skin

everything he can about how the business works—not just the craft of acting, but from the producing standpoint. from the studio standpoint." says Jon Gordon, at- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to tun a studio at some poin

ling mysteries among New York's moneyed world. People know snippets, but few know the whole. "He's wry enigmatic." says Rosa Mond- ton, the former C.E.O. of Tiffany & Co. in the U.K. and a dose friend since the early 1980s. "You think you know him and then you peel off another ring of the onion skih a

everything he can about how the business works—not just the craft of acting, but from the producing standpoint, from the studio standpoint," says Jon Gordon, exec- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to run a studio at some po

ing myster- ies among New York's moneyed world. People know snippets, but few know the whole. "He's very enigmatic," says Rosa Monckton, the former C.E.O. of Tiffany & Co. in the U.K. and a close friend since the early 1980s. "You think you know him and then you peel off another ring of the onion skin an

everything he can about how the business works—not just the craft of acting, but from the producing standpoint, from the studio standpoint." says Jon Gordon, exec- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to run a studio at some po

ng mysteries among New York's moneyed world. People know snippets, but few know the whole. "He's very eniematic." says Rosa Monck- ton, the former C.E.O. of Tiffany & Co. in the U.K. and a close friend since the early 1980s. "You think you know him and then you peel off another ring of the onion skin