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device that both served a purpose and sent a message. If there was an emotion it conveyed, a feeling that it tickled in the way Bernini’s Apollo and Daphne might inspire terror or joy or faith, it was meant to be awe. Stewart Brand, one of the supporters of the clock and an early member of the New Caste
creators were limiting what it had been asked to do. At which point the AI would turn to thinking about how to escape those bounds. It would be like Deep Blue programmed to plan its own prison break. And as much as humans might try to stifle a smart machine, we’d be fighting to contain something more powerf
ke sense out of this rapidly emerging field. I asked the essayists to consider: (a) The Zen-like poem “Thirteen Ways of Looking at a Blackbird,” by Wallace Stevens, which he insisted was “not meant to be a collection of epigrams or of ideas, but of sensations.” It is an exercise in “perspectivism,” consi
e and evaluate a vast selection of possible future moves. But the majority of predictions of AI, e.g., robotic maids, turned out to be illusory. When Deep Blue beat Garry Kasparov at chess in 1997, the most 20 HOUSE_OVERSIGHT_016823 powerful room-cleaning robot was a Roomba, which moved around vacuuming a
ke sense out of this rapidly emerging field. I asked the essayists to consider: (a) The Zen-like poem “Thirteen Ways of Looking at a Blackbird,” by Wallace Stevens, which he insisted was “not meant to be a collection of epigrams or of ideas, but of sensations.” It is an exercise in “perspectivism,” consi
e and evaluate a vast selection of possible future moves. But the majority of predictions of AI, e.g., robotic maids, turned out to be illusory. When Deep Blue beat Garry Kasparov at chess in 1997, the most 20 HOUSE_OVERSIGHT_016240 powerful room-cleaning robot was a Roomba, which moved around vacuuming a
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