Epstein Secrets

gement would be an absolutely soundproofed flat in New York, on a top floor-- no feet walking above, no soft music anywhere-- and a bungalow in the Southwest. Sometimes I think it might be fun to adorn a university again, residing and writing there, not teaching, or at least not teaching regularly. M

pious notes on the subject. This opus owes its birth to a casual remark my wife made in 1950-- in response to my disgust with rhymed paraphrases of Eugene Onegin, every line of which I had to revise for my students-- "Why don't you translate it yourself?" This is the result. It has taken some ten years of l

gement would be an absolutely soundproofed flat in New York, on a top floor-- no feet walking above, no soft music anywhere-- and a bungalow in the Southwest. Sometimes I think it might be fun to adorn a university again, residing and writing there, not teaching, or at least not teaching regularly. Mea

pious notes on the subject. This opus owes its birth to a casual remark my wife made in 1950-- in response to my disgust with rhymed paraphrases of Eugene Onegin, every line of which I had to revise for my students-- "Why don't you translate it yourself?" This is the result. It has taken some ten years of l

gement would be an absolutely soundproofed flat in New York, on a top floor-- no feet walking above, no soft music anywhere-- and a bungalow in the Southwest. Sometimes I think it might be fun to adorn a university again, residing and writing there, not teaching, or at least not teaching regularly. M

pious notes on the subject. This opus owes its birth to a casual remark my wife made in 1950-- in response to my disgust with rhymed paraphrases of Eugene Onegin, every line of which I had to revise for my students-- "Why don't you translate it yourself?" This is the result. It has taken some ten years of l

gement would be an absolutely soundproofed flat in New York, on a top floor-- no feet walking above, no soft music anywhere-- and a bungalow in the Southwest. Sometimes I think it might be fun to adorn a university again, residing and writing there, not teaching, or at least not teaching regularly. Mea

pious notes on the subject. This opus owes its birth to a casual remark my wife made in 1950-- in response to my disgust with rhymed paraphrases of Eugene Onegin, every line of which I had to revise for my students-- "Why don't you translate it yourself?" This is the result. It has taken some ten years of l

gement would be an absolutely soundproofed flat in New York, on a top floor-- no feet walking above, no soft music anywhere-- and a bungalow in the Southwest. Sometimes I think it might be fun to adorn a university again, residing and writing there, not teaching, or at least not teaching regularly. Mea

pious notes on the subject. This opus owes its birth to a casual remark my wife made in 1950-- in response to my disgust with rhymed paraphrases of Eugene Onegin, every line of which I had to revise for my students-- "Why don't you translate it yourself?" This is the result. It has taken some ten years of l