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Theatre for a New Audience by William Shakespeare Directed by Arin Arbus Illustration by Macon Glaser Please Join Us for Any Performance Running now through April 6, 2013 The Duke on 42nd Street

tin Arbus, who has directed critically acclaimed productions of Othello, Macbeth and The Taming of the Shrew for Theater for a New Audience stages Shakespeare's romantic comedy Much Ado About Nothing in which two former lovers grudgingly fall in love and do their best not to! Ms. Arbus balances the play's

venues) RSVP to James Lynes, Capital Campaign Director (212) 229-2819 x 29 or jlvnesetfana.org Sponsored by Deloitte Much Ado About Nothing A tin Arbus, who has directed critically acclaimed productions of Othello, Macbeth and The Taming of the Shrew for Theater for a New Audience stages Shakespea

Theatre for a New Audience by William Shakespeare Directed by Arin Arbus Please Join Us for Any Performance Running now through April 6, 2013 The Duke on 2" Street Sponsm f d by Deloitte. Much

rin Arbus, who has directed critically acclaimed productions of Othello, Macbeth and The Taming of the Shrew for Theater for a New Audience stages Shakespeare's romantic comedy Much Ado About Nothing in which two former lovers grudgingly fall in love and do their best not to! Ms. Arbus balances the play's

Please Join Us for Any Performance Running now through April 6, 2013 The Duke on 2" Street Sponsm f d by Deloitte. Much Ado About Nothing A rin Arbus, who has directed critically acclaimed productions of Othello, Macbeth and The Taming of the Shrew for Theater for a New Audience stages Shakespea

h. EFTA_R1_02103168 EFTA02706867 AP Review: Buoyant, zestful 'Much Ado About Nothing' Associated Press Tuesday, February 19, 2013 NEW YORK — William Shakespeare's comedy "Much Ado About Nothing" benefits from a lighthearted approach and an evenly-matched pair of verbal jousters to conduct a battle of the sex

g has cast Jonathan Cake as Benedick, and his agile, gleeful performance drives out any possibility—any thought at all—of woe. Deceptions abound in Shakespeare's Messina. In an atmosphere rife with masquerades and love tricks, Benedick's friends, the prince Don Pedro (Graham Winton) and Claudio (Matthew Ame

spotlight. Many actors do fine work—Amendt as fickle Claudio, Elizabeth Meadows Rouse as perky maid Ursula—but others, occasionally left adrift by Arbus, are still finding their footing. It scarcely matters, though, since Cake's confident, outsize high jinks operate as a kind of grounding force. He p

h. EFTA_R1_02212418 EFTA02724995 AP Review: Buoyant, zestful 'Much Ado About Nothing' Associated Press Tuesday, February 19, 2013 NEW YORK — William Shakespeare's comedy "Much Ado About Nothing" benefits from a lighthearted approach and an evenly-matched pair of verbal jousters to conduct a battle of the sex

g has cast Jonathan Cake as Benedick, and his agile, gleeful performance drives out any possibility—any thought at all—of woe. Deceptions abound in Shakespeare's Messina. In an atmosphere rife with masquerades and love tricks, Benedick's friends, the prince Don Pedro (Graham Winton) and Claudio (Matthew Ame

spotlight. Many actors do fine work—Amendt as fickle Claudio, Elizabeth Meadows Rouse as perky maid Ursula—but others, occasionally left adrift by Arbus, are still finding their footing. It scarcely matters, though, since Cake's confident, outsize high jinks operate as a kind of grounding force. He p