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es.com/topic/entertainment/movies/spi=er-man-%28movie%29-ENMV00010402.topic> debacle, Taymor will r=turn to her roots by staging a new production of Shakespeare's "A Midsummer=Night's Dream" at Theatre for a New Audience in Brooklyn. The produc=ion is scheduled to open Nov. 2 and will be the inaugural produ

or a New Audience By Ryan Gilbert Two-time To=y-winning director Julie Taymor is set return to the New York stage in the f=ll with a production of William Shakespeare's A Midsummer Night*=804,s Dream. Taymor's partner, Oscar winner Elliot Goldenthal, will co=pose original music for the production, which will open th

EFTA02565627 The Samuel H. Scripps Mainstage, the firs= stage built for Shakespeare and classic drama in New York City since Linco=n Center's 1965 Vivian Beaumont, is inspired by the Royal National Theatre'= Cottesloe. According to TFANA, "It is a uniquely flexible space which comb=nes an Elizabethan courtyard

/topics.nytimes.com/topics/reference/ti=estopics/people/t/julie_taymor/index.html> will return to th= New York stage in October with a production of Shakespeare's 40=9CMidsummer Night's Dream" to open the new Brooklyn home <http://theater.nyti=es.com/2011/06/25/theater/theater-for-a-new-audience-starts-build

or a New Audience By Ryan Gilbert Two-time Tony-winning director J=lie Taymor is set return to the New York stage in the fall with a productio= of William Shakespeare's A Midsummer Night's Dream.=Taymor's partner, Oscar winner Elliot Goldenthal, will compose original mus=c for the production, which will open the new

o (50 seats). The Samuel H. Scr=pps Mainstage, the first stage built for Shakespeare and classic drama in N=w York City since Lincoln Center's 1965 Vivian Beaumont, is inspired by the=Royal National Theatre's Cottesloe. According to TFANA, "It is a uniquely f=exible space which combines an Elizabethan courtyard

Taymor previously worked with Theatre for a New Audience in 1986 on a production of Shakespeare's "The Tempest." She subsequently directed two more Shakespearean plays for the New York company -- "The Taming of the Shrew" and " Titus Andronicus." The director has also made film versions of "The Tempest" and "

e Lion King) will direct and longtime collaborator Elliot Goldenthal ( The Green Bird) will compose original music for a new fall 2013 production of William Shakespeare's A Midsummer Night's Dream, to be the inaugural production in Theatre for a New Audience's new permanent home in the Downtown Brooklyn Cultural Dist

(50 seats). The Samuel H. Scripps Mainstage, the first stage built for Shakespeare and classic drama in New York City since Lincoln Center's 1965 Vivian Beaumont, is inspired by the Royal National Theatre's Cottesloe. According to TFANA, "It is a uniquely flexible space which combines an Elizabethan courtyard

Taymor previously worked with Theatre for a New Audience in 1986 on a production of Shakespeare's "The Tempest." She subsequently directed two more Shakespearean plays for the New York company -- "The Taming of the Shrew" and " Titus Andronicus." The director has also made film versions of "The Tempest" and '

e Lion King) will direct and longtime collaborator Elliot Goldenthal ( The Green Bird) will compose original music for a new fall 2013 production of William Shakespeare's A Midsummer Night's Dream, to be the inaugural production in Theatre for a New Audience's new permanent home in the Downtown Brooklyn Cultural Dist

(50 seats). The Samuel H. Scripps Mainstage, the first stage built for Shakespeare and classic drama in New York City since Lincoln Center's 1965 Vivian Beaumont, is inspired by the Royal National Theatre's Cottesloe. According to TFANA, "It is a uniquely flexible space which combines an Elizabethan courtyard

writing at the suggestion of Julie Taymor. Julie is the Honorary Co-Chair of Theatre for a New Audience's capital campaign for the first theatre for Shakespeare and classic drama to be built in New York City since Lincoln Center's 1965 Vivian Beaumont. I understand Julie spoke with you at the recent WWW Conf

a New Audience's capital campaign for the first theatre for Shakespeare and classic drama to be built in New York City since Lincoln Center's 1965 Vivian Beaumont. I understand Julie spoke with you at the recent WWW Conference and you invited us to contact you. Thank you. I would very much appreciate speaking.

ou some background. Julie is on our Board and is the Honorary Co-Chair of the Campaign. Founded in 1979, Theatre for a New Audience's cornerstone is Shakespeare and we produce Shakespeare alongside other classical and contemporary authors. We're the first American theatre to be invited to bring a production

th you at the recent WWW Conference about Theatre for a New Audience's Capital Campaign to build the first theatre for classic drama since the 1965 Vivian Beaumont in downtown Brooklyn. Julie explained that you kindly invited us to send you information about this project. Please find this enclosed. Let me give