Epstein Secrets

wolves are clept All by the name of dogs. William Shakespeare — Macbeth For most of our species’ history, our

catalogue ye go for men, As hounds and greyhounds, mongrels, spaniels, curs, Shoughs, water-rugs, and demi-wolves are clept All by the name of dogs. William Shakespeare — Macbeth For most of our species’ history, our ancestors were barely people. This was not due to any inadequacy in their brains. On the contrary, e

Shannon, and Marshall McLuhan, all of whom had currency in the New York art circles in which I was then moving. In particular, Cage had picked up on McLuhan’s idea that by inventing electronic technologies we had externalized our central nervous system—that is, our minds—and that we now had to presume tha

wolves are clept All by the name of dogs. William Shakespeare — Macbeth For most of our species’ history, our

catalogue ye go for men, As hounds and greyhounds, mongrels, spaniels, curs, Shoughs, water-rugs, and demi-wolves are clept All by the name of dogs. William Shakespeare — Macbeth For most of our species’ history, our ancestors were barely people. This was not due to any inadequacy in their brains. On the contrary, e

Shannon, and Marshall McLuhan, all of whom had currency in the New York art circles in which I was then moving. In particular, Cage had picked up on McLuhan’s idea that by inventing electronic technologies we had externalized our central nervous system—that is, our minds—and that we now had to presume tha

ommunity, must say something substantially different from the community’s previous common stock of information.” This was why “schoolboys do not like Shakespeare,” he concluded: The Bard’s couplets may depart starkly from random bitstreams, but they had nonetheless become all too familiar to the sense-making p

s of Curating and Lives of the Artists, Lives of the Architects. In the Introduction to the second edition of his book Understanding Media, Marshall McLuhan noted the ability of art to “anticipate future social and technological developments.” Art is “an early alarm system,” pointing us to new development

ommunity, must say something substantially different from the community’s previous common stock of information.” This was why “schoolboys do not like Shakespeare,” he concluded: The Bard’s couplets may depart starkly from random bitstreams, but they had nonetheless become all too familiar to the sense-making p

s of Curating and Lives of the Artists, Lives of the Architects. In the Introduction to the second edition of his book Understanding Media, Marshall McLuhan noted the ability of art to “anticipate future social and technological developments.” Art is “an early alarm system,” pointing us to new development