Epstein Secrets

hiatrist and neuroscientist who studies creativity, I've had the pleasure of working with many gifted and high-profile subjects over the years, but Kurt Vonnegut—dear, funny, eccentric, lovable, tormented Kurt Vonnegut—will always be one of my favorites. Kurt was a faculty member at the Iowa Writers' Worksho

have been eminent in philosophy, politics, poetry, and the arts have all had tendencies toward melancholia." This pattern is a recurring theme in Shakespeare's plays, such as when Theseus, in A Midsummer Night's Dream, observes, "The lunatic, the lover, and the poet / Are of imagination EFTA00669749 al

er they go, and if them, then why not everyone? If we all have those tools to some extent, shouldn’t we all be able to benefit? These scenarios echo Kurt Vonnegut’s 1961 short story “Harrison Bergeron,” in which exceptional aptitude is suppressed in deference to the mediocre lowest common denominator of society

ommunity, must say something substantially different from the community’s previous common stock of information.” This was why “schoolboys do not like Shakespeare,” he concluded: The Bard’s couplets may depart starkly from random bitstreams, but they had nonetheless become all too familiar to the sense-making p

er they go, and if them, then why not everyone? If we all have those tools to some extent, shouldn’t we all be able to benefit? These scenarios echo Kurt Vonnegut’s 1961 short story “Harrison Bergeron,” in which exceptional aptitude is suppressed in deference to the mediocre lowest common denominator of society

ommunity, must say something substantially different from the community’s previous common stock of information.” This was why “schoolboys do not like Shakespeare,” he concluded: The Bard’s couplets may depart starkly from random bitstreams, but they had nonetheless become all too familiar to the sense-making p