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hat only the lamest of the lame frequent Williamsburg nightspots. PHARRELL1A/ILLIAMS, 30. Pop production whiz's maddeningly catchy beats legitimized Justin Timberlake, and cameos of his Curtis Mayfield-like falsetto are becoming ubiquitous on hits by Jay-Z and others. Pro: Makes more than you do in a year to twea
nt Williamsburg nightspots. PHARRELL1A/ILLIAMS, 30. Pop production whiz's maddeningly catchy beats legitimized Justin Timberlake, and cameos of his Curtis Mayfield-like falsetto are becoming ubiquitous on hits by Jay-Z and others. Pro: Makes more than you do in a year to tweak a Britney Spears song. Con: Approa
that only the lamest of the lame frequent Williamsburg nightspots. PHARRELL WILLIAMS, 30. Pop production whiz's maddeningly catchy beats legitimized Justin Timberlake, and cameos of his Curtis Mayfield-like falsetto are becoming ubiquitous on hits by Jay-Z and others. Pro: Makes more than you do in a year to twea
ent Williamsburg nightspots. PHARRELL WILLIAMS, 30. Pop production whiz's maddeningly catchy beats legitimized Justin Timberlake, and cameos of his Curtis Mayfield-like falsetto are becoming ubiquitous on hits by Jay-Z and others. Pro: Makes more than you do in a year to tweak a Britney Spears song. Con: Approa
that only the lamest of the lame frequent Williamsburg nightspots. PHARRELL WILLIAMS, 30. Pop production whiz's maddeningly catchy beats legitimized Justin Timberlake, and cameos of his Curtis Mayfield-like falsetto are becoming ubiquitous on hits by Jay-Z and others. Pro: Makes more than you do in a year to twea
ent Williamsburg nightspots. PHARRELL WILLIAMS, 30. Pop production whiz's maddeningly catchy beats legitimized Justin Timberlake, and cameos of his Curtis Mayfield-like falsetto are becoming ubiquitous on hits by Jay-Z and others. Pro: Makes more than you do in a year to tweak a Britney Spears song. Con: Approa
that only the lamest of the lame frequent Williamsburg nightspots. PHARRELL WILLIAMS, 30. Pop production whiz's maddeningly catchy beats legitimized Justin Timberlake, and cameos of his Curtis Mayfield-like falsetto are becoming ubiquitous on hits by Jay-Z and others. Pro: Makes more than you do in a year to twea
ent Williamsburg nightspots. PHARRELL WILLIAMS, 30. Pop production whiz's maddeningly catchy beats legitimized Justin Timberlake, and cameos of his Curtis Mayfield-like falsetto are becoming ubiquitous on hits by Jay-Z and others. Pro: Makes more than you do in a year to tweak a Britney Spears song. Con: Approa
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