Epstein Secrets

ory—I am his corporate wife—and we position ourselves on a couch next to the director's mother. Julia gets the best spot close to the piano and Amy, Hamish and decorator Geoffrey Bradfield are right behind her. Josh is brought in and the kibitzing stops. Oliver appears on the set with eagle eyes and a

lding area where we join Prince Dimitri of Yugoslavia in a bespoke dinner jacket, journalist Christopher Mason, songstress Yanna Avis, photographer Kelly Klein, art dealer Larry Gagosian's girl friend Shala Monroque in see-through Rodarte, beauty executive Olivia Chantecaille, producer Lawrence Robins, auth

ory—I am his corporate wife—and we position ourselves on a couch next to the director's mother. Julia gets the best spot close to the piano and Amy, Hamish and decorator Geoffrey Bradfield are right behind her. Josh is brought in and the kibitzing stops. Oliver appears on the set with eagle eyes and a

rea where we join Prince Dimitri of Yugoslavia in a divine, bespoke dinner jacket, journalist Christopher Mason, songstress Yanna Avis, photographer Kelly Klein, art dealer Larry Gagosian's girl friend Shala Monroque in see-through Rodarte, Olivia Chantecaille, author Jackie Weld Drake, Vogue film critic Joa

tory—I am his corporate wife—and we position ourselves on a couch next to the director’s mother. Julia gets the best spot close to the piano and Amy, Hamish and decorator Geoffrey Bradfield are right behind her. Josh is brought in and the kibitzing stops. Oliver appears on the set with eagle eyes and a s

holding area where we join Prince Dimitri of Yugoslavia in a bespoke dinner jacket, journalist Christopher Mason, songstress Yanna Avis, photographer Kelly Klein, art dealer Larry Gagosian's girl friend Shala Monroque in see-through Rodarte, beauty executive Olivia Chantecaille, producer Lawrence Robins, autho

tory—I am his corporate wife—and we position ourselves on a couch next to the director’s mother. Julia gets the best spot close to the piano and Amy, Hamish and decorator Geoffrey Bradfield are right behind her. Josh is brought in and the kibitzing stops. Oliver appears on the set with eagle eyes and a s

Oliver is shooting the actual dinner. Assistant directors ask for volunteers to dance to the live music. Prince Dimitri twirls and dips Jackie Weld. Kelly Klein, in her own Karl Lagerfeld sheer black organza, watches from a table with scattered champagne glasses half-filled with apple juice along with her 86-

tory—I am his corporate wife-and we position ourselves on a couch next to the director's mother. Julia gets the best spot close to the piano and Amy, Hamish and decorator Geoffrey Bradfield are right behind her. Josh is brought in and the kibitzing stops. Oliver appears on the set with eagle eyes and a sl

Oliver is shooting the actual dinner. Assistant directors ask for volunteers to dance to the live music. Prince Dimitri twirls and dips Jackie Weld. Kelly Klein, in her own Karl Lagerfeld sheer black organza, watches from a table with scattered champagne glasses half-filled with apple juice along with her 86-

tory—I am his corporate wife—and we position ourselves on a couch next to the director's mother. Julia gets the best spot close to the piano and Amy, Hamish and decorator Geoffrey Bradfield are right behind her. Josh is brought in and the kibitzing stops. Oliver appears on the set with eagle eyes and a sl

holding area where we join Prince Dimitri of Yugoslavia in a bespoke dinner jacket, journalist Christopher Mason, songstress Yanna Avis, photographer Kelly Klein, art dealer Larry Gagosian's girl friend Shala Monroque in see-through Rodarte, beauty executive Olivia Chantecaille, producer Lawrence Robins, autho