Epstein Secrets

ory—I am his corporate wife—and we position ourselves on a couch next to the director's mother. Julia gets the best spot close to the piano and Amy, Hamish and decorator Geoffrey Bradfield are right behind her. Josh is brought in and the kibitzing stops. Oliver appears on the set with eagle eyes and a

ls show up at the former Canard Shipping building, a massive Italianate hall, at the crack of dawn for the Alzheimer's Ball, a grand charity event. Susan Hess and I are chauffeured downtown with our Vera Wang gowns and report to the VIP extra holding area where we join Prince Dimitri of Yugoslavia in a bes

ory—I am his corporate wife—and we position ourselves on a couch next to the director's mother. Julia gets the best spot close to the piano and Amy, Hamish and decorator Geoffrey Bradfield are right behind her. Josh is brought in and the kibitzing stops. Oliver appears on the set with eagle eyes and a

Canard Shipping building, a massive Italianate structure, at the crack of dawn for the Alzheimer's Ball, a grand charity event that lasts 15 hours. Susan Hess and I are chauffeured downtown with our Vera Wang gowns and jewels and report to the VIP extra holding area where we join Prince Dimitri of Yugoslav

tory—I am his corporate wife—and we position ourselves on a couch next to the director’s mother. Julia gets the best spot close to the piano and Amy, Hamish and decorator Geoffrey Bradfield are right behind her. Josh is brought in and the kibitzing stops. Oliver appears on the set with eagle eyes and a s

lls show up at the former Canard Shipping building, a massive Italianate hall, at the crack of dawn for the Alzheimer’s Ball, a grand charity event. Susan Hess and I are chauffeured downtown with our Vera Wang gowns and report to the VIP extra holding area where we join Prince Dimitri of Yugoslavia in a besp

tory—I am his corporate wife—and we position ourselves on a couch next to the director’s mother. Julia gets the best spot close to the piano and Amy, Hamish and decorator Geoffrey Bradfield are right behind her. Josh is brought in and the kibitzing stops. Oliver appears on the set with eagle eyes and a s

lls show up at the former Canard Shipping building, a massive Italianate hall, at the crack of dawn for the Alzheimer’s Ball, a grand charity event. Susan Hess and I are chauffeured downtown with our Vera Wang gowns and report to the VIP extra holding area where we join Prince Dimitri of Yugoslavia in a besp

tory—I am his corporate wife-and we position ourselves on a couch next to the director's mother. Julia gets the best spot close to the piano and Amy, Hamish and decorator Geoffrey Bradfield are right behind her. Josh is brought in and the kibitzing stops. Oliver appears on the set with eagle eyes and a sl

ells show up at the former Canard Shipping building, a massive Italianate hall, at the crack of dawn for the Alzheimer's Ball, a grand charity event. Susan Hess and I are chauffeured downtown with our Vera Wang gowns and report to the VIP extra holding area where we join Prince Dimitri of Yugoslavia in a besp

tory—I am his corporate wife—and we position ourselves on a couch next to the director's mother. Julia gets the best spot close to the piano and Amy, Hamish and decorator Geoffrey Bradfield are right behind her. Josh is brought in and the kibitzing stops. Oliver appears on the set with eagle eyes and a sl

ells show up at the former Canard Shipping building, a massive Italianate hall, at the crack of dawn for the Alzheimer's Ball, a grand charity event. Susan Hess and I are chauffeured downtown with our Vera Wang gowns and report to the VIP extra holding area where we join Prince Dimitri of Yugoslavia in a besp