Epstein Secrets

ique Van Vooren, both in their 80s, are seated in front of the fireplace chatting in French. Production assistants fuss over them. Debonair macho man Chuck Pfieffer, who appeared in the original film, and I immediately invent a back story—I am his corporate wife—and we position ourselves on a couch next to the di

te wife—and we position ourselves on a couch next to the director’s mother. Julia gets the best spot close to the piano and Amy, Hamish and decorator Geoffrey Bradfield are right behind her. Josh is brought in and the kibitzing stops. Oliver appears on the set with eagle eyes and a sly grin and quickly re-positions

ique Van Vooren, both in their 80s, are seated in front of the fireplace chatting in French. Production assistants fuss over them. Debonair macho man Chuck Pfieffer, who appeared in the original film, and I immediately invent a back story—I am his corporate wife-and we position ourselves on a couch next to the di

te wife-and we position ourselves on a couch next to the director's mother. Julia gets the best spot close to the piano and Amy, Hamish and decorator Geoffrey Bradfield are right behind her. Josh is brought in and the kibitzing stops. Oliver appears on the set with eagle eyes and a sly grin and quickly re-positions e

que Van Voorcn, both in their 80s, arc seated in front of the fireplace chatting in French. Production assistants fuss over them. Debonair macho man Chuck Pfieffer, who appeared in the original film, and I immediately invent a back story—I am his corporate wife—and we position ourselves on a couch next to the d

wife—and we position ourselves on a couch next to the director's mother. Julia gets the best spot close to the piano and Amy, l arnish and decorator Geoffrey Bradfield are right behind her. Josh is brought in and the kibitzing stops. Oliver appears on the set with eagle eyes and a sly grin and quickly re-positions

oyfriend Shia work. At sundown Julia Koch has to race from reel to real life and explain to her husband where she has been all day. (He loves it.) Chuck Pfieffer plants a "Page Six" item and the next day socialites begin calling me to get into the film. Thursday, November 5, Shun Lee Restaurant, \Vest 65th St

wife—and we position ourselves on a couch next to the director's mother. Julia gets the best spot close to the piano and Amy, !famish and decorator Geoffrey Bradfield are right behind her. Josh is brought in and the kibitzing stops. Oliver appears on the set with eagle eyes and a sly grin and quickly re-positions

nd her friend Monique Van Vooren, both in their 80s, are seated in front of the fireplace. Production assistants fuss over them. Debonair macho man Chuck Pfieffer, who appeared in the original film, and I immediately invent a back story—I am his corporate wife—and we position ourselves on a couch next to the d

e wife—and we position ourselves on a couch next to the director's mother. Julia gets the best spot close to the piano and Amy, Hamish and decorator Geoffrey Bradfield are right behind her. Josh is brought in and the kibitzing stops. Oliver appears on the set with eagle eyes and a sly grin and quickly re-positions