Epstein Secrets

que Van Vooren, both in their 80s, are seated in front of the fireplace chatting in French. Production assistants fuss over them. Debonair macho man Chuck Pfieffer, who appeared in the original film, and I immediately invent a back story—I am his corporate wife—and we position ourselves on a couch next to the

ctual dinner. Assistant directors ask for volunteers to dance to the live music. Prince Dimitri twirls and dips Jackie Weld. Kelly Klein, in her own Karl Lagerfeld sheer black organza, watches from a table with scattered champagne glasses half-filled with apple juice along with her 86-year-old father, Tulley R

que Van Voorcn, both in their 80s, arc seated in front of the fireplace chatting in French. Production assistants fuss over them. Debonair macho man Chuck Pfieffer, who appeared in the original film, and I immediately invent a back story—I am his corporate wife—and we position ourselves on a couch next to the d

ctual dinner. Assistant directors ask for volunteers to dance to the live music. Prince Dimitri twirls and dips Jackie Weld. Kelly Klein. in her own Karl Lagerfeld sheer black organza. watches from a table with scattered champagne glasses half-filled with apple juice along with her 86•yearold father, Tulley Rec

oyfriend Shia work. At sundown Julia Koch has to race from reel to real life and explain to her husband where she has been all day. (He loves it.) Chuck Pfieffer plants a "Page Six" item and the next day socialites begin calling me to get into the film. Thursday, November 5, Shun Lee Restaurant, \Vest 65th St

ctual dinner. Assistant directors ask for volunteers to dance to the live music. Prince Dimitri twirls and dips Jackie Weld. Kelly Klein, in her own Karl Lagerfeld sheer black organza, watches from a table with scattered champagne glasses half-filled with apple juice along with her 86-year-old father. Tulley R

nd her friend Monique Van Vooren, both in their 80s, are seated in front of the fireplace. Production assistants fuss over them. Debonair macho man Chuck Pfieffer, who appeared in the original film, and I immediately invent a back story—I am his corporate wife—and we position ourselves on a couch next to the d

ctual dinner. Assistant directors ask for volunteers to dance to the live music. Prince Dimitri twirls and dips Jackie Weld. Kelly Klein, in her own Karl Lagerfeld sheer black organza, watches from a table with scattered champagne glasses half-filled with apple juice along with her 86-year-old father, Tulley R

ique Van Vooren, both in their 80s, are seated in front of the fireplace chatting in French. Production assistants fuss over them. Debonair macho man Chuck Pfieffer, who appeared in the original film, and I immediately invent a back story—I am his corporate wife—and we position ourselves on a couch next to the di

actual dinner. Assistant directors ask for volunteers to dance to the live music. Prince Dimitri twirls and dips Jackie Weld. Kelly Klein, in her own Karl Lagerfeld sheer black organza, watches from a table with scattered champagne glasses half-filled with apple juice along with her 86-year-old father, Tulley Rec

ique Van Vooren, both in their 80s, are seated in front of the fireplace chatting in French. Production assistants fuss over them. Debonair macho man Chuck Pfieffer, who appeared in the original film, and I immediately invent a back story—I am his corporate wife—and we position ourselves on a couch next to the di

actual dinner. Assistant directors ask for volunteers to dance to the live music. Prince Dimitri twirls and dips Jackie Weld. Kelly Klein, in her own Karl Lagerfeld sheer black organza, watches from a table with scattered champagne glasses half-filled with apple juice along with her 86-year-old father, Tulley Rec

ique Van Vooren, both in their 80s, are seated in front of the fireplace chatting in French. Production assistants fuss over them. Debonair macho man Chuck Pfieffer, who appeared in the original film, and I immediately invent a back story—I am his corporate wife-and we position ourselves on a couch next to the di

actual dinner. Assistant directors ask for volunteers to dance to the live music. Prince Dimitri twirls and dips Jackie Weld. Kelly Klein, in her own Karl Lagerfeld sheer black organza, watches from a table with scattered champagne glasses half-filled with apple juice along with her 86-year-old father, Tulley Rec

ique Van Vooren, both in their 80s, are seated in front of the fireplace chatting in French. Production assistants fuss over them. Debonair macho man Chuck Pfieffer, who appeared in the original film, and I immediately invent a back story—I am his corporate wife—and we position ourselves on a couch next to the di

actual dinner. Assistant directors ask for volunteers to dance to the live music. Prince Dimitri twirls and dips Jackie Weld. Kelly Klein, in her own Karl Lagerfeld sheer black organza, watches from a table with scattered champagne glasses half-filled with apple juice along with her 86-year-old father, Tulley Rec