Epstein Secrets

que Van Vooren, both in their 80s, are seated in front of the fireplace chatting in French. Production assistants fuss over them. Debonair macho man Chuck Pfieffer, who appeared in the original film, and I immediately invent a back story—I am his corporate wife—and we position ourselves on a couch next to the

ls show up at the former Canard Shipping building, a massive Italianate hall, at the crack of dawn for the Alzheimer's Ball, a grand charity event. Susan Hess and I are chauffeured downtown with our Vera Wang gowns and report to the VIP extra holding area where we join Prince Dimitri of Yugoslavia in a bes

que Van Voorcn, both in their 80s, arc seated in front of the fireplace chatting in French. Production assistants fuss over them. Debonair macho man Chuck Pfieffer, who appeared in the original film, and I immediately invent a back story—I am his corporate wife—and we position ourselves on a couch next to the d

ls show up at the former Canard Shipping building, a massive Italianate hall, at the crack of dawn for the Alzheimer's Ball, a grand charity event. Susan Hess and I are chauffeured downtown with our Vera Wang gowns and report to the VIP extra holding area where we join Prince Dimitri of Yugoslavia in a bes

oyfriend Shia work. At sundown Julia Koch has to race from reel to real life and explain to her husband where she has been all day. (He loves it.) Chuck Pfieffer plants a "Page Six" item and the next day socialites begin calling me to get into the film. Thursday, November 5, Shun Lee Restaurant, \Vest 65th St

ipping building, a massive Italianate hall, at the crack of dawn for the Alzheimer's Ball. a grand charity event. EFTA_R1_0 1503830 EFTA02432777 Susan Hess and I arc chauffeured downtown with our Vera Wang gowns and report to the VIP extra holding area where we join Prince Dimitri of Yugoslavia in a bes

nd her friend Monique Van Vooren, both in their 80s, are seated in front of the fireplace. Production assistants fuss over them. Debonair macho man Chuck Pfieffer, who appeared in the original film, and I immediately invent a back story—I am his corporate wife—and we position ourselves on a couch next to the d

Canard Shipping building, a massive Italianate structure, at the crack of dawn for the Alzheimer's Ball, a grand charity event that lasts 15 hours. Susan Hess and I are chauffeured downtown with our Vera Wang gowns and jewels and report to the VIP extra holding area where we join Prince Dimitri of Yugoslav

ique Van Vooren, both in their 80s, are seated in front of the fireplace chatting in French. Production assistants fuss over them. Debonair macho man Chuck Pfieffer, who appeared in the original film, and I immediately invent a back story—I am his corporate wife—and we position ourselves on a couch next to the di

lls show up at the former Canard Shipping building, a massive Italianate hall, at the crack of dawn for the Alzheimer’s Ball, a grand charity event. Susan Hess and I are chauffeured downtown with our Vera Wang gowns and report to the VIP extra holding area where we join Prince Dimitri of Yugoslavia in a besp

ique Van Vooren, both in their 80s, are seated in front of the fireplace chatting in French. Production assistants fuss over them. Debonair macho man Chuck Pfieffer, who appeared in the original film, and I immediately invent a back story—I am his corporate wife—and we position ourselves on a couch next to the di

lls show up at the former Canard Shipping building, a massive Italianate hall, at the crack of dawn for the Alzheimer’s Ball, a grand charity event. Susan Hess and I are chauffeured downtown with our Vera Wang gowns and report to the VIP extra holding area where we join Prince Dimitri of Yugoslavia in a besp

ique Van Vooren, both in their 80s, are seated in front of the fireplace chatting in French. Production assistants fuss over them. Debonair macho man Chuck Pfieffer, who appeared in the original film, and I immediately invent a back story—I am his corporate wife-and we position ourselves on a couch next to the di

ells show up at the former Canard Shipping building, a massive Italianate hall, at the crack of dawn for the Alzheimer's Ball, a grand charity event. Susan Hess and I are chauffeured downtown with our Vera Wang gowns and report to the VIP extra holding area where we join Prince Dimitri of Yugoslavia in a besp

ique Van Vooren, both in their 80s, are seated in front of the fireplace chatting in French. Production assistants fuss over them. Debonair macho man Chuck Pfieffer, who appeared in the original film, and I immediately invent a back story—I am his corporate wife—and we position ourselves on a couch next to the di

ells show up at the former Canard Shipping building, a massive Italianate hall, at the crack of dawn for the Alzheimer's Ball, a grand charity event. Susan Hess and I are chauffeured downtown with our Vera Wang gowns and report to the VIP extra holding area where we join Prince Dimitri of Yugoslavia in a besp