Epstein Secrets

There is pressure when you are making a sequel to a hit. I watch the action on monitors while sitting on the producers' canvas chairs with Pressman, Eric Kopeloff ("Monsters Ball") and Celia Costas, who was a location manager on the first "Wall Street." They have asked me to be an extra in the Alzheimer's Bal

s him off with a few dismissive lines. Monday, November 9, 25 Broadway One hundred swells show up at the former Canard Shipping building, a massive Italianate hall, at the crack of dawn for the Alzheimer's Ball, a grand charity event. Susan Hess and I are chauffeured downtown with our Vera Wang gowns and

There is pressure when you are making a sequel to a hit. I watch the action on monitors while sitting on the producers' canvas chairs with Pressman, Eric Kopeloff ("Monsters Ball") and Celia Costes. who was a location manager on the rust "Wall Street." They have asked me to be an extra in the Alzheimer's Ball

s him of with a few dismissive lines. Monday, November 9. 25 Broadway One hundred swells show up at the former Canard Shipping building, a massive Italianate hall, at the crack of dawn for the Alzheimer's Ball, a grand charity event. Susan Hess and I are chauffeured downtown with our Vera Wang gowns and

nse. There is pressure when you are making a hit sequel. I watch the action on monitors while sitting on the producers' canvas chairs with Pressman, Eric Kopeloff ("Monsters Ball") and Celia Costas, who was a location manager on the first "Wall Street." They have asked me to be an extra in the Alzheimer's Bal

a few dismissive lines. Monday, November 9, 25 Broadway EFTA00766019 One hundred swells show up at the former Canard Shipping building, a massive Italianate structure, at the crack of dawn for the Alzheimer's Ball, a grand charity event that lasts 15 hours. Susan Hess and I are chauffeured downtown with