Epstein Secrets

There is pressure when you are making a sequel to a hit. I watch the action on monitors while sitting on the producers' canvas chairs with Pressman, Eric Kopeloff ("Monsters Ball") and Celia Costas, who was a location manager on the first "Wall Street." They have asked me to be an extra in the Alzheimer's Bal

he set to visit and Oliver spontaneously puts him in a scene chatting with Josh. Carrie Mulligan hangs out watching boyfriend Shia work. At sundown Julia Koch has to race from reel to real life and explain to her husband where she has been all day. (He loves it.) Chuck Pfieffer plants a "Page Six" item an

There is pressure when you are making a sequel to a hit. I watch the action on monitors while sitting on the producers' canvas chairs with Pressman, Eric Kopeloff ("Monsters Ball") and Celia Costes. who was a location manager on the rust "Wall Street." They have asked me to be an extra in the Alzheimer's Ball

e set to visit and Oliver spontaneously puts hint in a scene chatting with Josh. Carrie Mulligan hangs out watching boyfriend Shia work. At sundown Julia Koch has to race from reel to real life and explain to her husband where she has been all day. (He loves it) Chuck Pfieffer plants a "Page Six" item and

nse. There is pressure when you are making a hit sequel. I watch the action on monitors while sitting on the producers' canvas chairs with Pressman, Eric Kopeloff ("Monsters Ball") and Celia Costas, who was a location manager on the first "Wall Street." They have asked me to be an extra in the Alzheimer's Bal

visit and Oliver spontaneously puts him in a scene chatting with Josh. Adorable Carrie Mulligan hangs out watching boyfriend Shia work. At sundown Julia Koch has to race from reel to real life and explain to her husband where she has been all day. (He loves it.) We leave wondering how these people have t

There is pressure when you are making a sequel to a hit. I watch the action on monitors while sitting on the producers' canvas chairs with Pressman, Eric Kopeloff ("Monsters Ball") and Celia Costas, who was a location manager on the first "Wall Street.” They have asked me to be an extra in the Alzheimer's Ball

railer on 65th Street and Madison Avenue. I carry four elaborate cocktail dresses and bags of matching accessories. My hair is in rollers. Statuesque Julia Koch walks over from her Park Avenue apartment carrying her white Valentino and long diamond earrings. Her real-life financial titan husband David is unaw

There is pressure when you are making a sequel to a hit. I watch the action on monitors while sitting on the producers' canvas chairs with Pressman, Eric Kopeloff ("Monsters Ball") and Celia Costas, who was a location manager on the first "Wall Street.” They have asked me to be an extra in the Alzheimer's Ball

the set to visit and Oliver spontaneously puts him in a scene chatting with Josh. Carrie Mulligan hangs out watching boyfriend Shia work. At sundown Julia Koch has to race from reel to real life and explain to her husband where she has been all day. (He loves it.) Chuck Pfieffer plants a "Page Six" item and

There is pressure when you are making a sequel to a hit. I watch the action on monitors while sitting on the producers' canvas chairs with Pressman, Eric Kopeloff ("Monsters Ball") and Celia Costas, who was a location manager on the first "Wall Street." They have asked me to be an extra in the Alzheimer's Ball

the set to visit and Oliver spontaneously puts him in a scene chatting with Josh. Carrie Mulligan hangs out watching boyfriend Shia work. At sundown Julia Koch has to race from reel to real life and explain to her husband where she has been all day. (He loves it.) Chuck Pfieffer plants a "Page Six" item and

There is pressure when you are making a sequel to a hit. I watch the action on monitors while sitting on the producers' canvas chairs with Pressman, Eric Kopeloff ("Monsters Ball") and Celia Costas, who was a location manager on the first "Wall Street." They have asked me to be an extra in the Alzheimer's Ball

railer on 65th Street and Madison Avenue. I carry four elaborate cocktail dresses and bags of matching accessories. My hair is in rollers. Statuesque Julia Koch walks over from her Park Avenue apartment carrying her white Valentino and long diamond earrings. Her real-life financial titan husband David is unaw