Epstein Secrets

e library. At a later period, in Western Europe, between the ages of 20 and 40, my favorites were Housman, Rupert Brooke, Norman Douglas, Bergson, Joyce, Proust, and Pushkin. Of these top favorites, several-- Poe, Jules Verne, Emmuska Orezy, Conan Doyle, and Rupert Brooke-- have lost the glamour and

pious notes on the subject. This opus owes its birth to a casual remark my wife made in 1950-- in response to my disgust with rhymed paraphrases of Eugene Onegin, every line of which I had to revise for my students-- "Why don't you translate it yourself?" This is the result. It has taken some ten years of l

e library. At a later period, in Western Europe, between the ages of 20 and 40, my favorites were Housman, Rupert Brooke, Norman Douglas, Bergson, Joyce, Proust, and Pushkin. Of these top favorites, several-- Poe, Jules Verne, Emmuska Orezy, Conan Doyle, and Rupert Brooke-- have lost the glamour and

pious notes on the subject. This opus owes its birth to a casual remark my wife made in 1950-- in response to my disgust with rhymed paraphrases of Eugene Onegin, every line of which I had to revise for my students-- "Why don't you translate it yourself?" This is the result. It has taken some ten years of l

e library. At a later period, in Western Europe, between the ages of 20 and 40, my favorites were Housman, Rupert Brooke, Norman Douglas, Bergson, Joyce, Proust, and Pushkin. Of these top favorites, several-- Poe, Jules Verne, Emmuska Orezy, Conan Doyle, and Rupert Brooke-- have lost the glamour and

pious notes on the subject. This opus owes its birth to a casual remark my wife made in 1950-- in response to my disgust with rhymed paraphrases of Eugene Onegin, every line of which I had to revise for my students-- "Why don't you translate it yourself?" This is the result. It has taken some ten years of l

e library. At a later period, in Western Europe, between the ages of 20 and 40, my favorites were Housman, Rupert Brooke, Norman Douglas, Bergson, Joyce, Proust, and Pushkin. Of these top favorites, several-- Poe, Jules Verne, Emmuska Orezy, Conan Doyle, and Rupert Brooke-- have lost the glamour and

pious notes on the subject. This opus owes its birth to a casual remark my wife made in 1950-- in response to my disgust with rhymed paraphrases of Eugene Onegin, every line of which I had to revise for my students-- "Why don't you translate it yourself?" This is the result. It has taken some ten years of l

e library. At a later period, in Western Europe, between the ages of 20 and 40, my favorites were Housman, Rupert Brooke, Norman Douglas, Bergson, Joyce, Proust, and Pushkin. Of these top favorites, several-- Poe, Jules Verne, Emmuska Orezy, Conan Doyle, and Rupert Brooke-- have lost the glamour and

pious notes on the subject. This opus owes its birth to a casual remark my wife made in 1950-- in response to my disgust with rhymed paraphrases of Eugene Onegin, every line of which I had to revise for my students-- "Why don't you translate it yourself?" This is the result. It has taken some ten years of l