Epstein Secrets

a gilded desk (which Epstein tells people belonged to banker J. P. Morgan), 18th-century black lacquered Portuguese cabinets, and a nine-foot ebony Steinway "D" grand. On the desk, a paperback copy of the Marquis de Sade's The Misfortunes of Virtue was recently spotted. Covering the floor, Epstein has e

e's a classic iceberg. What you see is not what you get." Even acquaintances sense a curious dichotomy: Yes, he lives like a "modern maharaja," as Leah Kiernan, one of his art dealers, puts it. Yet he is fastidiously, almost obsessively private-he lists himself in the phone book under a pseudonym. He rarely

gilded desk (which Epstein tells people belonged to banker J. P Morgan). 13th-century black lacquered Portuguese cabinets. and a nine- foot ebony Steinway "D" grand. On the desk, a paperback copy of the Marquis de Sades The MAthrtitnes linue was re- cently spotted. Covering the floor. Epstein has ex

s a classic iceberg. What you see is not what you get." ven acquaintances sense a curious dichotomy: les. he lives like a "modern ma- haraja." as Leah Kiernan. one of his art dealers. puts it. Yet he is fastidiously. a4 most obsessively private—he lists himself in the phone book under a pseudonym. He r

gilded desk (which Epstein tells people belonged to banker 1. P Morgan). 18th-century black lacquered Portuguese cabinets, and a nine- foot ebony Steinway "D" grand. On the desk, a paperback copy of the Marquis de Sade's The illi.giutones of rinue was re- cently spotted. Covering the floor. Epstein h

's a classic iceberg. What you see is not what you get.- ven acquaintances sense a curious dichotomy: Yes. he lives like a "modern ma- haraja:' as Leah Kiernan, one of his an dealers. puts it. Yet he is fastidiously, al- most obsessively private—he fists himself in the phone book under a pseudonym. He ra

gilded desk (which Epstein tells people belonged to banker J. P Morgan). 18th-century black lacquered Portuguese cabinets. and a nine- foot ebony Steinway "D" grand. On the desk, a paperback copy of the Marquis de Sade's The Allsjoesunes of Orme was re- cently spotted. Covering the floor. Epstein has

s a classic iceberg. What you see is not what you get." wen acquaintances sense a curious dichotomy: Yes. he lives like a "modern ma- haraja.- as Leah Kiernan, one of his art dealers. puts it. Yet he is fastidiously. al- most obsessively private—he lists himself in the phone book under a pseudonym. He r

gilded desk (which Epstein tells people belonged to banker J. P. Morgan). 18thwentury black lacquered Portuguese cabinets. and a nine- foot ebony Steinway "D" grand. On the desk, a paperback copy of the Marquis de Sade's The Miyanunes of Hrwe was it- cently spotted. Covering the 9oor. Epstein has exp

He's a classic iceberg. What you see is not what you get:' ven acquaintances sense a curious dichotomy: Yes he lives like a "modem ma- haraja: as Leah Kiernan, one of his art dealers. puts it. Yet he is fastidiously. al- most obsessively private—he lists himself in the phone book under a pseudonym. He r

gilded desk (which Epstein tells people belonged to banker J. P Morgan). 18th-century black lacquered Portuguese cabinets. and a nine- foot ebony Steinway "D- grand. On the desk, a paperback copy of the Marquis de Sade's The Miatimunes of l'inue was re- cently spotted. Covering the :loon Epstein has

s a classic iceberg. What you see is not what you get." ven acquaintances sense a curious dichotomy: Yes. he lives like a "modern ma- haraja.- as Leah Kiernan. one of his art dealers. puts it. Yet he is fastidiously, al- most obsessively private—he lists himself in the phone book under a pseudonym. He r

gilded desk (which Epstein tells people belonged to banker J. P. Morgan), 18th-century black lacquered Por- tuguese cabinets, and a nine-foot ebony Steinway "D" grand. On the desk, a pa- perback copy of the Marquis de Sade's The Misfortunes of Virtue was recently spotted. Covering the floor, Epstein has

ten better that people hate me, not the client." "You've probably heard I'm vicious ins my representation of my clients,- he tells people proudly; Leah Kiernan describes his haggling over art prices as something like ; a scene out of the movie Mad Mar Be- yond Thunderdome. Even a former mentor g says he's

gilded desk (which Epstein tells people belonged to banker J. P Morgan). 18th-century black lacquered Portuguese cabinets, and a nine- foot ebony Steinway "D" grand. On the desk, a paperback copy of the Marquis de Sade's The Alioin-runes of Virtue was re- cently spotted. Covering the floor. Epstein h

's a classic iceberg. What you see is not what you get." en acquaintances sense a curious dichotomy: Yes, he lives like a "modern ma- haraja." as Leah Kiernan, one of his art dealers. puts it. Yet he is fastidiously, al- most obsessively private—he lists himself in the phone book under a pseudonym. He r