Epstein Secrets

gilded desk (which Epstein tells people belonged to banker J. P Morgan). 13th-century black lacquered Portuguese cabinets. and a nine- foot ebony Steinway "D" grand. On the desk, a paperback copy of the Marquis de Sades The MAthrtitnes linue was re- cently spotted. Covering the floor. Epstein has ex

everything he can about how the business works—not just the craft of acting. but from the producing standpoint, from the studio standpoint.- says Jon Gordon. exec- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to run a studio at some po

gilded desk (which Epstein tells people belonged to banker 1. P Morgan). 18th-century black lacquered Portuguese cabinets, and a nine- foot ebony Steinway "D" grand. On the desk, a paperback copy of the Marquis de Sade's The illi.giutones of rinue was re- cently spotted. Covering the floor. Epstein h

everything he can about how the business works—not just the craft of acting, but from the producing standpoint, from the studio standpoint." says Jon Gordon, exec- utive vice president of production at Mira- mar. "He knows how deals work. ft's what sets him apart. If he wanted to run a studio at some po

gilded desk (which Epstein tells people belonged to banker J. P Morgan). 18th-century black lacquered Portuguese cabinets. and a nine- foot ebony Steinway "D" grand. On the desk, a paperback copy of the Marquis de Sade's The Allsjoesunes of Orme was re- cently spotted. Covering the floor. Epstein has

everything he can about how the business works—not just the craft of acting. but from the producing standpoint, from the studio standpoint," says Jon Gordon. exec- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to run a studio at some po

gilded desk (which Epstein tells people belonged to banker J. P. Morgan). 18thwentury black lacquered Portuguese cabinets. and a nine- foot ebony Steinway "D" grand. On the desk, a paperback copy of the Marquis de Sade's The Miyanunes of Hrwe was it- cently spotted. Covering the 9oor. Epstein has exp

everything he can about how the business works—not just the craft of acting, but from the producing standpoint. from the studio standpoint." says Jon Gordon, at- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to tun a studio at some poin

gilded desk (which Epstein tells people belonged to banker J. P Morgan). 18th-century black lacquered Portuguese cabinets. and a nine- foot ebony Steinway "D- grand. On the desk, a paperback copy of the Marquis de Sade's The Miatimunes of l'inue was re- cently spotted. Covering the :loon Epstein has

everything he can about how the business works—not just the craft of acting, but from the producing standpoint, from the studio standpoint." says Jon Gordon, exec- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to run a studio at some po

gilded desk (which Epstein tells people belonged to banker J. P. Morgan), 18th-century black lacquered Por- tuguese cabinets, and a nine-foot ebony Steinway "D" grand. On the desk, a pa- perback copy of the Marquis de Sade's The Misfortunes of Virtue was recently spotted. Covering the floor, Epstein has

everything he can about how the business works—not just the craft of acting, but from the producing standpoint, from the studio standpoint," says Jon Gordon, exec- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to run a studio at some po

gilded desk (which Epstein tells people belonged to banker J. P Morgan). 18th-century black lacquered Portuguese cabinets, and a nine- foot ebony Steinway "D" grand. On the desk, a paperback copy of the Marquis de Sade's The Alioin-runes of Virtue was re- cently spotted. Covering the floor. Epstein h

everything he can about how the business works—not just the craft of acting, but from the producing standpoint, from the studio standpoint." says Jon Gordon, exec- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to run a studio at some po