Epstein Secrets

partment to former beau Dennis Gagomiros, says Keith Rubenstein, a lawyer for landlord Michael Tauber. "We are starting the eviction process," says Rubenstein, who estimated the "fair market" value of Janney's joint at $3,000 a month. Janney's lawyer, Sam Himmelstein, insists Janney "surrendered possession

everything he can about how the business works—not just the craft of acting. but from the producing standpoint, from the studio standpoint.- says Jon Gordon. exec- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to run a studio at some po

partment to former beau Dennis Gagomiros, says Keith Rubenstein, a lawyer for landlord Michael Tauber. "We are starting the eviction process," says Rubenstein, who estimated the "fair market" value of Janney's joint at $3,000 a month. Janney's lawyer, Sam Himmelstein, insists Janney "surrendered possession

everything he can about how the business works—not just the craft of acting, but from the producing standpoint, from the studio standpoint." says Jon Gordon, exec- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to run a studio at some po

partment to former beau Dennis Gagomiros, says Keith Rubenstein, a lawyer for landlord Michael Tauber. "We are starting the eviction process," says Rubenstein, who estimated the "fair market" value of Janney's joint at $3,000 a month. Janney's lawyer, Sam Himmelstein, insists Janney "surrendered possession

everything he can about how the business works—not just the craft of acting, but from the producing standpoint, from the studio standpoint," says Jon Gordon, exec- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to run a studio at some po

never realized how many one-way streets and no-right-turns there are in midtown. I finally got out and walked"--and as we went down the corridor to Rubenstein's office, he asked, "Have you managed to talk to many of my friends?" Epstein had been supplying me the phone numbers of important scientists and f

everything he can about how the business works—not just the craft of acting, but from the producing standpoint, from the studio standpoint." says Jon Gordon, exec- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to run a studio at some po