Epstein Secrets

erent angles all afternoon. Financial wizard Don Marron saunters on the set to visit and Oliver spontaneously puts him in a scene chatting with Josh. Carrie Mulligan hangs out watching boyfriend Shia work. At sundown Julia Koch has to race from reel to real life and explain to her husband where she has

tory—I am his corporate wife—and we position ourselves on a couch next to the director’s mother. Julia gets the best spot close to the piano and Amy, Hamish and decorator Geoffrey Bradfield are right behind her. Josh is brought in and the kibitzing stops. Oliver appears on the set with eagle eyes and a s

erent angles all afternoon. Financial wizard Don Marron saunters on the set to visit and Oliver spontaneously puts him in a scene chatting with Josh. Carrie Mulligan hangs out watching boyfriend Shia work. At sundown Julia Koch has to race from reel to real life and explain to her husband where she has be

tory—I am his corporate wife—and we position ourselves on a couch next to the director's mother. Julia gets the best spot close to the piano and Amy, Hamish and decorator Geoffrey Bradfield are right behind her. Josh is brought in and the kibitzing stops. Oliver appears on the set with eagle eyes and a sl

ing me to get into the film. Thursday, November 5, Shun Lee Restaurant, West 65th Street Oliver shoots a crowded tight interior scene with Michael, Carrie and Shia, who are having an intimate Chinese dinner. Spontaneously, Oliver decides this is the perfect scene for Graydon Carter. After a flurry of

ory—I am his corporate wife—and we position ourselves on a couch next to the director's mother. Julia gets the best spot close to the piano and Amy, Hamish and decorator Geoffrey Bradfield are right behind her. Josh is brought in and the kibitzing stops. Oliver appears on the set with eagle eyes and a

socialites begin calling to get into the film. Thursday, November 5, Shun Lee Restaurant Oliver shoots a crowded tight interior scene with Michael, Carrie and Shia, who are having an intimate Chinese dinner. Graydon Carter, playing himself, sashays by the table and Gordon Gekko jumps up to say hello. G

ory—I am his corporate wife—and we position ourselves on a couch next to the director's mother. Julia gets the best spot close to the piano and Amy, Hamish and decorator Geoffrey Bradfield are right behind her. Josh is brought in and the kibitzing stops. Oliver appears on the set with eagle eyes and a

tory—I am his corporate wife—and we position ourselves on a couch next to the director’s mother. Julia gets the best spot close to the piano and Amy, Hamish and decorator Geoffrey Bradfield are right behind her. Josh is brought in and the kibitzing stops. Oliver appears on the set with eagle eyes and a s

ing me to get into the film. Thursday, November 5, Shun Lee Restaurant, West 65th Street Oliver shoots a crowded tight interior scene with Michael, Carrie and Shia, who are having an intimate Chinese dinner. Spontaneously, Oliver decides this is the perfect scene for Graydon Carter. After a flurry of ca

tory—I am his corporate wife-and we position ourselves on a couch next to the director's mother. Julia gets the best spot close to the piano and Amy, Hamish and decorator Geoffrey Bradfield are right behind her. Josh is brought in and the kibitzing stops. Oliver appears on the set with eagle eyes and a sl

lling me to get into the film. Thursday, November 5, Shun Lee Restaurant, West 65th Street Oliver shoots a crowded tight interior scene with Michael, Carrie and Shia, who are having an intimate Chinese dinner. Spontaneously, Oliver decides this is the perfect scene for Graydon Carter. After a flurry of ca