Epstein Secrets

The legal papers for another case offer a rare window into Epstein's finances. In 1995. Epstein stopped paying rent to his landlord. the nonprofit Municipal Arts Society. for his office in the silllard House. He claimed that they were breaking the terms of the lease by not letting his stall in at night. The case wa

s a classic iceberg. What you see is not what you get." ven acquaintances sense a curious dichotomy: les. he lives like a "modern ma- haraja." as Leah Kiernan. one of his art dealers. puts it. Yet he is fastidiously. a4 most obsessively private—he lists himself in the phone book under a pseudonym. He r

The legal papers kit another case offer a rare window into Epstein's finances. In 1995. Epstein stopped paying rent to his landlord, the nonprofit Municipal Arts Society. kit his office in the Ydlard House. He claimed that they were breaking the terms of the lease by not letting his staff in at night. The case was

He's a classic iceberg. What you see is not what you get:' ven acquaintances sense a curious dichotomy: Yes he lives like a "modem ma- haraja: as Leah Kiernan, one of his art dealers. puts it. Yet he is fastidiously. al- most obsessively private—he lists himself in the phone book under a pseudonym. He r

The legal papers for another case offer a rare window into Epstein's finances. In 1995. Epstein stopped paying rent to his landlord. the nonprofit Municipal Arts Society. for his office in the %/Bard House. He claimed that they were breaking the terms of the lease by not letting his staff in at night. The case was

s a classic iceberg. What you see is not what you get." ven acquaintances sense a curious dichotomy: Yes. he lives like a "modern ma- haraja.- as Leah Kiernan. one of his art dealers. puts it. Yet he is fastidiously, al- most obsessively private—he lists himself in the phone book under a pseudonym. He r

The legal papers for another case offer a rare window into Epstein's finances. In 1995, Epstein stopped paying rent to his landlord, the nonprofit Municipal Arts Society, for his office in the Vi lard House. He claimed that they were breaking the terms of the lease by not letting his staff in at night. The case was

ten better that people hate me, not the client." "You've probably heard I'm vicious ins my representation of my clients,- he tells people proudly; Leah Kiernan describes his haggling over art prices as something like ; a scene out of the movie Mad Mar Be- yond Thunderdome. Even a former mentor g says he's

The legal papers for another case offer a tare window into Epstein's finances. In 1995. Epstein stopped paying rent to his landlord, the nonprofit Municipal Arts Society, for his office in the Ward House. He claimed that hey were breaking the terms of the lease by Dot letting his staff in at night. The case was ve

's a classic iceberg. What you see is not what you get." en acquaintances sense a curious dichotomy: Yes, he lives like a "modern ma- haraja." as Leah Kiernan, one of his art dealers. puts it. Yet he is fastidiously, al- most obsessively private—he lists himself in the phone book under a pseudonym. He r