Epstein Secrets

till exist: But we found out later that he had sold those assets leveraged them ... [and] used some mar- gin account to take some positions in ... Emery and Pan Am." says Payton. Epstein's extraordinary creativity was. ac- cording to Hoffenberg. responsible for the purchase by the insurance companie

's a classic iceberg. What you see is not what you get.- ven acquaintances sense a curious dichotomy: Yes. he lives like a "modern ma- haraja:' as Leah Kiernan, one of his an dealers. puts it. Yet he is fastidiously, al- most obsessively private—he fists himself in the phone book under a pseudonym. He ra

chief operating officer, Mitchell Brater, and Epstein came up with a scheme to steal $3 million of the insurance companies' bonds to buy Pan Am and Emery stock. "Jeffrey Epstein and Mitch Brater arranged the various brokerage accounts for the bonds to be placed with in New York, and I think one in Ch

e's a classic iceberg. What you see is not what you get." Even acquaintances sense a curious dichotomy: Yes, he lives like a "modern maharaja," as Leah Kiernan, one of his art dealers, puts it. Yet he is fastidiously, almost obsessively private-he lists himself in the phone book under a pseudonym. He rarely

xist.' But we found out later that he had sold those assets ... leveraged them .. . (and! used some mar- gin account to take some positions in ... Emery and Pan Am.- says Payton. Epstein's extraordinary creativity was. ac- cording to HotTenberg. responsibk for the purchase by the insurance companies

s a classic iceberg. What you see is not what you get." ven acquaintances sense a curious dichotomy: les. he lives like a "modern ma- haraja." as Leah Kiernan. one of his art dealers. puts it. Yet he is fastidiously. a4 most obsessively private—he lists himself in the phone book under a pseudonym. He r

ist.' But we found out later that he had sold those assets ... leveraged them .. . [and) used some mar- gin account to take some positions in .. . Emery and Pan Am." says Payton. Epstein's extraordinary creativity was. ac- cording to HotTenberg. responsible for the purchase by the insurance companie

s a classic iceberg. What you see is not what you get." ven acquaintances sense a curious dichotomy: Yes. he lives like a "modern ma- haraja.- as Leah Kiernan. one of his art dealers. puts it. Yet he is fastidiously, al- most obsessively private—he lists himself in the phone book under a pseudonym. He r

exist.' BUT we found out bier that he had sold those assets ... leveraged them ... (and) used seine mar- gin account to take some positions in ... Emery and Pan Am: says Payton. Epstein's caraordinary creativity was, ac- cording to Hoffenberg, responsible for the purchase by the insurance companies

s a classic iceberg. What you see is not what you get." wen acquaintances sense a curious dichotomy: Yes. he lives like a "modern ma- haraja.- as Leah Kiernan, one of his art dealers. puts it. Yet he is fastidiously. al- most obsessively private—he lists himself in the phone book under a pseudonym. He r

exist.' But we found out later that he had sold those assets ... leveraged them ... land] used some mar- gin account to take some positions in ... Emery and Pan Am.- says Payton. Epstein's extraordinary creativity was. ac- cording to Hoffenberg. responsible for the purchase by the insurance companie

He's a classic iceberg. What you see is not what you get:' ven acquaintances sense a curious dichotomy: Yes he lives like a "modem ma- haraja: as Leah Kiernan, one of his art dealers. puts it. Yet he is fastidiously. al- most obsessively private—he lists himself in the phone book under a pseudonym. He r

chief operating officer, Mitchell Brater, and Epstein came up with a scheme to steal $3 million of the insurance companies' bonds to buy Pan Am and Emery stock. "Jeffrey Epstein and Mitch Brater arranged the various brokerage accounts for the bonds to be placed with in New York, and I think one in Ch

ten better that people hate me, not the client." "You've probably heard I'm vicious ins my representation of my clients,- he tells people proudly; Leah Kiernan describes his haggling over art prices as something like ; a scene out of the movie Mad Mar Be- yond Thunderdome. Even a former mentor g says he's

exist.' But we found out later that he had sold those assets ... leveraged them ... [and] used some mar- gin account to take some positions in ... Emery and Pan Am." says Payton. Epstein's extraordinary creativity was, ac- cording to HotTenberg, responsible for the purchase by the insurance companie

's a classic iceberg. What you see is not what you get." en acquaintances sense a curious dichotomy: Yes, he lives like a "modern ma- haraja." as Leah Kiernan, one of his art dealers. puts it. Yet he is fastidiously, al- most obsessively private—he lists himself in the phone book under a pseudonym. He r