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the S.E.C. sued to freeze his assets in 1993, was trying to buy the New York Post. He is cur- rently incarcerated in the Federal Medical Center in Devens. Massachusetts. serving a 20-year sentence for bilking investors out of more than 5450 million in one of the lamest Ponzi schemes in American hist
everything he can about how the business works—not just the craft of acting, but from the producing standpoint, from the studio standpoint." says Jon Gordon, exec- utive vice president of production at Mira- mar. "He knows how deals work. ft's what sets him apart. If he wanted to run a studio at some po
the S.E.C. sued to freeze his assets in 1993, was trying to buy the New York Post He is cur- rently incarcerated in the Federal Medical Center in Devens. Massachusetts. serving a 20-year sentence for bilking investors out of more than 5450 million in one of the largest Ponzi schemes in American his
everything he can about how the business works—not just the craft of acting. but from the producing standpoint, from the studio standpoint," says Jon Gordon. exec- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to run a studio at some po
re the S.E.C. sued to freeze his assets in 1993, was trying to buy the New York Post. He is currently incarcerated in the Federal Medical Center in Devens, Massachusetts, serving a 20-year sentence for bilking investors out of more than $450 million in one of the largest Ponzi schemes in American histo
everything he can about how the business works—not just the craft of acting, but from the producing standpoint, from the studio standpoint," says Jon Gordon, exec- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to run a studio at some po
he S.E.C. sued to freeze his assets in 1993, was trying to buy the New York Post. He is cur- rently incarcerated in the Federal Medical Center in Devens. Massachusetts. serving a 20-year sentence for bilking investors out of more than 5450 million in one of the lamest Ponzi schemes in American hist
everything he can about how the business works—not just the craft of acting, but from the producing standpoint, from the studio standpoint." says Jon Gordon, exec- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to run a studio at some po
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