Epstein Secrets

whose clothing company grew into Gloria Van- derbilt Jeans. Epstein lived large even then. One friend recalls that when he took Cana- dian heiress Wendy Belzberg on a date he hired a Rolls-Royce especially for the oc- casion. (Epstein has claimed he owned it.) In 1987, Hoffenberg. according to sources. set

everything he can about how the business works—not just the craft of acting. but from the producing standpoint, from the studio standpoint.- says Jon Gordon. exec- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to run a studio at some po

whose clothing company grew into Gloria Van- derbilt Jeans. Epstein lived large even then. One friend recalls that when he took Cana- dian heiress Wendy Belzberg on a date he hired a Rolls-Royce especially for the oc- casion. (Epstein has claimed he owned it.) In 1987. Hoffenberg. according to sources. set

everything he can about how the business works—not just the craft of acting, but from the producing standpoint, from the studio standpoint." says Jon Gordon, exec- utive vice president of production at Mira- mar. "He knows how deals work. ft's what sets him apart. If he wanted to run a studio at some po

whose clothing company grew into Gloria Van- derbilt Jeans. Epstein lived large even then. One friend recalls that when he took Cana- dian heiress Wendy Belzberg on a date he hired a Rolls-Royce especially for the • no casion. (Epstein has claimed he owned it.) In 1987 Reifenberg, according to sources, set

everything he can about how the business works—not just the craft of acting. but from the producing standpoint, from the studio standpoint," says Jon Gordon. exec- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to run a studio at some po

ni, whose clothing company grew into Gloria Van- data Jeans. Epstein lived large even then. One friend recalls that when he took Cana- dian heiress Wendy Belzberg on a date he hired a Rolls-Royce especially for the oc- casion. (Epstein has claimed he owned it.) In 1987, Reifenberg according to sources, set E

everything he can about how the business works—not just the craft of acting, but from the producing standpoint. from the studio standpoint." says Jon Gordon, at- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to tun a studio at some poin

whose clothing company grew into Gloria Van- derbilt Jeans. Epstein lived large even then. One friend recalls that when he took Cana- dian heiress Wendy Belzberg on a date he hired a Rolls-Royce especially for the oc- casion. (Epstein has claimed he owned it. In 1987. Hoffenberg. according to sources. set E

everything he can about how the business works—not just the craft of acting, but from the producing standpoint, from the studio standpoint." says Jon Gordon, exec- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to run a studio at some po

ani, whose clothing company grew into Gloria Vanderbilt Jeans. Epstein lived large even then. One friend recalls that when he took Canadian heiress Wendy Belzberg on a date he hired a Rolls- Royce especially for the occasion. (Epstein has claimed he owned it.) In 1987, Hoffenberg, according to sources, set Eps

everything he can about how the business works—not just the craft of acting, but from the producing standpoint, from the studio standpoint," says Jon Gordon, exec- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to run a studio at some po

whose clothing company grew into Gloria Van- derbilt Jeans. Epstein lived large even then. One friend recalls that when he took Cana- dian heiress Wendy Belzberg on a date he hired a Rolls-Royce especially for the oc- casion. (Epstein has claimed he owned it.) In 1987, Hoffenberg, according to sources. set

everything he can about how the business works—not just the craft of acting, but from the producing standpoint, from the studio standpoint." says Jon Gordon, exec- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to run a studio at some po