Epstein Secrets

ulent brokers and lawyers. He was also not above entering into risky. tax-sheltered oil and gas deals with much smaller investors. A lawsuit that Michael Stroll. the former head of Wil- liams Electronics Inc., filed against Epstein shows that in 1982 I.A.G. received an in- vestment from Stroll of 5150.000. w

everything he can about how the business works—not just the craft of acting. but from the producing standpoint, from the studio standpoint.- says Jon Gordon. exec- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to run a studio at some po

ulent brokers and lawyers. He was also not above entering into risky, tax-sheltered oil and gas deals with much smaller investors. A lawsuit that Michael Stroll, the former head of Wil- liams Electronics Inc.. filed against Epstein shows that in I981 I.A.G. received an in. vestment from Stroll of 5450.000.

everything he can about how the business works—not just the craft of acting, but from the producing standpoint, from the studio standpoint." says Jon Gordon, exec- utive vice president of production at Mira- mar. "He knows how deals work. ft's what sets him apart. If he wanted to run a studio at some po

dulent brokers and lawyers. He was also not above entering into risky, tax-sheltered oil and gas deals with much smaller investors. A lawsuk that Michael Stroll, the former head of Wil- liams Electronics Inc.. filed against Epstein shows that in 1982 I.A.G. received an in- vestment from Stroll of 5450.000. w

everything he can about how the business works—not just the craft of acting. but from the producing standpoint, from the studio standpoint," says Jon Gordon. exec- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to run a studio at some po

lent brokers and lawyers. lie was also not above entering into risky. tax-sheltered oil and gas deals with much smaller investors. A lawsuit that Michael Stroll, the former head of Wil- liams Electronics Inc.. filed against Epstein shows that in 1982 I.A.G. received an in- vestment from Stroll of 5450.000. w

everything he can about how the business works—not just the craft of acting, but from the producing standpoint. from the studio standpoint." says Jon Gordon, at- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to tun a studio at some poin

investment in Texas oil wells. A judge decided Epstein owed him nothing. "It's a bad memory. I would rather not have ever met Jeffrey Epstein," said Michael Stroll, the retired former president of Williams Electronics and Sega Corp. "Suffice it to say I have nothing good to say about him." Among the character

everything he can about how the business works—not just the craft of acting, but from the producing standpoint, from the studio standpoint." says Jon Gordon, exec- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to run a studio at some po

dulent brokers and lawyers. He was also not above entering into risky, tax-sheltered oil and gas deals with much smaller in- vestors. A lawsuit that Michael Stroll, the former head of Williams Electronics -Int, filed against Epstein shows that in 1982 I.A.G. received an investment from Stroll of $450,000, whic

everything he can about how the business works—not just the craft of acting, but from the producing standpoint, from the studio standpoint," says Jon Gordon, exec- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to run a studio at some po

ulent brokers and lawyers. He was also not above entering into risky, tax-sheltered oil and gas deals with much smaller investors. A lawsuit that Michael Stroll, the former head of Wil- liams Electronics Inc.. filed against Epstein shows that in 1982 I.A.G. received an in- vestment from Stroll of 5450.000. w

everything he can about how the business works—not just the craft of acting, but from the producing standpoint, from the studio standpoint." says Jon Gordon, exec- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to run a studio at some po