Epstein Secrets

often better that people hate me, not the client.” “You’ve probably heard I’m vicious in my representation of my clients,” he tells people proudly; Leah Kleman describes his haggling over art prices as something like a scene out of the movie Mad Max: Beyond Thunderdome. Even a former mentor says he’s seen “t

. The legal papers for another case offer a rare window into Epstein’s finances. In 1995, Epstein stopped paying rent to his landlord, the nonprofit Municipal Arts Society, for his office in the Villard House. He claimed that they were breaking the terms of the lease by not letting his staff in at night. The case was ev

's a classic iceberg. What you see is not what you get." Even acquaintances sense a curious dichotomy: Yes, he lives like a "modern maha- raja," as Leah Kleman, one of his art dealers, puts it. Yet he is fastidiously, EFTA00188419 Page 3 The Talented Mr. Epstein;Lately, Jeffrey Epstein's high-ying style

The legal papers for another case offer a rare window into Epstein's finances. In 1995, Epstein stopped paying rent to his landlord, the nonprofit Municipal Arts Society, for his office in the Vi lard House. He claimed that they were breaking the terms of the lease by not letting his staff in at night. The case was

often better that people hate me, not the client.” “You’ve probably heard I’m vicious in my representation of my clients,” he tells people proudly; Leah Kleman describes his haggling over art prices as something like a scene out of the movie Mad Max: Beyond Thunderdome. Even a former mentor says he’s seen “t

. The legal papers for another case offer a rare window into Epstein’s finances. In 1995, Epstein stopped paying rent to his landlord, the nonprofit Municipal Arts Society, for his office in the Villard House. He claimed that they were breaking the terms of the lease by not letting his staff in at night. The case was ev