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s one of the most successful and admired creative artist/executives in the entertainment world. His 1995 recording, Qs Jook Joint, again showcased Quincy's ability to mold the unique talents of an eclectic group of singers and musicians, in what resulted in a retrospective of his broad and diverse ca
y every medium, including records, live performance, movies and television. Celebrating more than 6o years performing and being involved in music, Quincy's creative magic has spanned over six decades, beginning with the musk of the post- swing era and continuing through today's high-technology, inter
ion of the be bop and hip hop musical traditions; while his 1993 recording of the critically acclaimed Miles and Quincy Live At Montreux, featured Quincy conducting Miles Davis' live performance of the historic Gil Evans arrangements from the Miles Ahead, Porgy and Bess and Sketches of Spain sessions
his reputation as an arranger grew. By the mid-so's, he was arranging and recording for such diverse artists as Sarah Vaughan, Ray Charles, Count Basie, Duke Ellington, Big Maybelle, Dinah Washington, Cannonball Adderly and LeVern Baker. In 1957, Quincy decided to continue his musical education by
lly every medium, including records, live performance, movies and television. Celebrating more than 60 years performing and being involved in music, Quincy’s creative magic has spanned over six decades, beginning with the music of the post- swing era and continuing through today’s high-technology, intern
Page: HOUSE_OVERSIGHT_017544 →“I Can’t Stop Loving You.” Quincy’s three-year musical association as conductor and arranger with Frank Sinatra in the mid-60’s also teamed him with Basie for the classic Sinatra At The Sands, containing the famous arrangement of “Fly Me To The Moon,” the first recording played by astronaut Buzz Aldrin
Page: HOUSE_OVERSIGHT_017544 →incy Jones for his premiere with co-hosts Robert DeNiro and Jane Rosenthal. Come on Tuesday, September 23rd at 7pm to the Tribeca Grand Hotel to see Quincy's documentary KEEP ON KEEPIN' ON about the mentorship of 89 year old jazz legend Clark Terry and 23 year old piano prodigy Justin ICaulflin. Clark
ntorship of 89 year old jazz legend Clark Terry and 23 year old piano prodigy Justin ICaulflin. Clark has played alongside Duke Ellington and Count Basie; his pupils include Miles Davis and Quincy Jones, but his most unlikely friendship is with Justin who prepares for a competition that could jumpstar
s most unlikely friendship featured in the film is with Justin Kauflin, who prepares for a competition that could jump start his budding career. As Quincy's holiday gift, he has arranged for Justin to perform at the lunch. In addition, Justin and director Alan Hicks will participate in an informal pane
mentoring of 93 year old jazz legend Clark Terry and 23 year old piano prodigy Justin Kauflin. Clark has played alongside Duke Ellington and Count Basie; his pupils include Miles Davis and Quincy Jones, but his most unlikely friendship featured in the film is with Justin Kauflin, who prepares for a
ncy Jones for his premiere with co-hosts Robert DeNiro and Jane Rosenthal. Come on Tuesday, September 23rd at 7pm to the Tribeca Grand Hotel to see Quincy's documentary KEEP ON KEEPIN' ON about the mentorship of 89 year old jazz legend Clark Terry and 23 year old piano prodigy Justin Kaulflin. Clark
entorship of 89 year old jazz legend Clark Terry and 23 year old piano prodigy Justin Kaulflin. Clark has played alongside Duke Ellington and Count Basie; his pupils include Miles Davis and Quincy Jones, but his most unlikely friendship is with Justin who prepares for a competition that could jumpsta
Entities connected to both Quincy and Basie

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