Epstein Secrets

nce on acoustic and electronic jazz and R&B than Herbie Hancock. As the immortal Miles Davis said in his autobiography, "Herbie was the step after Bud Powell and Thelonious Monk, and I haven't heard anybody yet who has come after him." Born in Chicago in 1940, Herbie was a child piano prodigy who perfor

r of concert dates with a re-staffed Headhunters, and became the first-ever Artist-In-Residence at the Tennessee-based festival Bonnaroo. In tow, Hancock recorded and released `River: The Joni Letters', a tribute to longtime friend and collaborator Joni Mitchell featuring Wayne Shorter, guitarist Lio

Thelonious Monk Institute of Jazz, the foremost international organization devoted to the development of jazz performance and education worldwide. Hancock is also a founder of The International Committee of Artists for Peace, and was recently awarded the much esteemed "Commandeur des Arts et des Lett

luence on acoustic and electronic jazz and R&B than Herbie Hancock. As the immortal Miles Davis said in his autobiography, “Herbie was the step after Bud Powell and Thelonious Monk, and I haven’t heard anybody yet who has come after him.” Born in Chicago in 1940, Herbie was a child piano prodigy who performe

ber of concert dates with a re-staffed Headhunters, and became the first-ever Artist-In-Residence at the Tennessee-based festival Bonnaroo. In 2007, Hancock recorded and released ‘River: The Joni Letters’, a tribute to longtime friend and collaborator Joni Mitchell featuring Wayne Shorter, guitarist Lione

fore eventually settling on the trumpet and flugelhorn. He was first introduced to jazz by his brother, Earmon, Jr., a piano player and a devotee of Bud Powell. Hubbard's budding musical talents caught the attention of Lee Katzman, a former sideman of Stan Kenton. Katzman convinced the young trumpeter to s

riety of other high-profile jazz artists. He was a significant presence on Herbie Hancock's Blue Note recordings, beginning with Takin' Off (1962) — Hancock's debut as a leader — and continuing on Empyrean Isles (1964) and Maiden Voyage (1965). Hubbard's other noteworthy session work in the 1960s includ