Epstein Secrets

s” of the Industrial Revolution, and perhaps even earlier, to the archetypes of Prometheus, Pandora, and Faust. And today it has gone into high gear. Jeremiahs, many of them (like Wiener) from the worlds of science and technology, have sounded alarms about nanotechnology, genetic engineering, Big Data, and p

eas That Make Computers Work. Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. Da

based intelligence was simply a catalyst for the evolution of silicon-based intelligence. For quite a long time, both Hollywood movies and scientific Jeremiahs have been predicting our eventual capitulation to our computer overlords. We all await the singularity, which always seems to be just over the horizo

ETIC BEINGS Caroline A. Jones Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. Cy

s” of the Industrial Revolution, and perhaps even earlier, to the archetypes of Prometheus, Pandora, and Faust. And today it has gone into high gear. Jeremiahs, many of them (like Wiener) from the worlds of science and technology, have sounded alarms about nanotechnology, genetic engineering, Big Data, and p

eas That Make Computers Work. Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. Da

based intelligence was simply a catalyst for the evolution of silicon-based intelligence. For quite a long time, both Hollywood movies and scientific Jeremiahs have been predicting our eventual capitulation to our computer overlords. We all await the singularity, which always seems to be just over the horizo

ETIC BEINGS Caroline A. Jones Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. Cy