Epstein Secrets

zeck. That is just one example. As to 2, that is one way to build an audience, by linking music to other forms of life--to pretentiously paraphrase Wittgenstein. And to No 3) I am still haunted by early criticisms by angry competitors and idiot ignorant critics who hated my ideas and the fact that I was an

2013 13:59:41 +0000 The Cage concert is both a good and bad example. Check in contrast the impact of the parallel programs in the previous years on Henry Cowell and Walter Piston. It would not have worked as you suggest--a lecture demo, and would have cost the same. The three pieces by Cage--two of which we

zeck. That is just one example. As to 2, that is one way to build an audience, by linking music to other forms of life--to pretentiously paraphrase Wittgenstein. And to No 3) I am still haunted by early criticisms by angry competitors and idiot ignorant critics who hated my ideas and the fact that I was an

ubject: Re: Thanks The Cage concert is both a good and bad example. Check in contrast the impact of the parallel programs in the previous years on Henry Cowell and Walter Piston. It would not have worked as you suggest--a lecture demo, and would have cost the same. The three pieces by Cage--two of which we

zeck. That is just one example. As to 2, that is one way to build an audience, by linking music to other forms of life--to pretentiously paraphrase Wittgenstein. And to No 3) I am still haunted by early criticisms by angry competitors and idiot ignorant critics who hated my ideas and the fact that I was an

ubject: Re: Thanks The Cage concert is both a good and bad example. Check in contrast the impact of the parallel programs in the previous years on Henry Cowell and Walter Piston. It would not have worked as you suggest--a lecture demo, and would have cost the same. The three pieces by Cage--two of which we

zeck. That is just one example. As to 2, that is one way to build an audience, by linking music to other forms of life--to pretentiously paraphrase Wittgenstein. And to No 3) I am still haunted by early criticisms by angry competitors and idiot ignorant critics who hated my ideas and the fact that I was an

ubject: Re: Thanks The Cage concert is both a good and bad example. Check in contrast the impact of the parallel programs in the previous years on Henry Cowell and Walter Piston. It would not have worked as you suggest--a lecture demo, and would have cost the same. The three pieces by Cage--two of which we

eck. That is just one example. As to 2, that is one way to build an audience, by linking music to other forms of life--to pretentiously paraphrase Wittgenstein. And to No 3) I am still haunted by early criticisms by angry competitors and idiot ignorant critics who hated my ideas and the fact that I was an

ubject: Re: Thanks The Cage concert is both a good and bad example. Check in contrast the impact of the parallel programs in the previous years on Henry Cowell and Walter Piston. It would not have worked as you suggest--a lecture demo, and would have cost the same. The three pieces by Cage--two of which we