Epstein Secrets

and results.” 143 HOUSE_OVERSIGHT_016946 MAKING THE INVISIBLE VISIBLE: ART MEETS AI Hans Ulrich Obrist Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. In the Introduction to the second edition of his book

e first meeting (in Washington, Connecticut) that preceded the crafting of this book, he commented on the change in how “information” is viewed since Wiener’s time: the military-industrial, Cold War era. Back then, Wiener compared information, metaphorically, to entropy, in that it could not be conserved—

and directed the slaves as they mindlessly (mechanically) churned their oars. The Greek had already migrated into modern English via Latin, going 47 Wiener later had to admit the earlier coinage of the word in 1834 by André-Marie Ampére, who had intended it to mean the “science of government,” a concept

and results.” 143 HOUSE_OVERSIGHT_016363 MAKING THE INVISIBLE VISIBLE: ART MEETS AI Hans Ulrich Obrist Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. In the Introduction to the second edition of his book

e first meeting (in Washington, Connecticut) that preceded the crafting of this book, he commented on the change in how “information” is viewed since Wiener’s time: the military-industrial, Cold War era. Back then, Wiener compared information, metaphorically, to entropy, in that it could not be conserved—

and directed the slaves as they mindlessly (mechanically) churned their oars. The Greek had already migrated into modern English via Latin, going 47 Wiener later had to admit the earlier coinage of the word in 1834 by André-Marie Ampére, who had intended it to mean the “science of government,” a concept

nstitute. He is the author of Programming the Universe: A Quantum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. Judea Pearl is professor of computer science and dire

at our door.” In the wake of advances in unsupervised, self-improving machine learning, a small but influential community of thinkers is considering Wiener’s words again. In Deep Thinking, John Brockman gathers their disparate visions of where AI might be taking us. The fruit of the long history of Broc

nstitute. He is the author of Programming the Universe: A Quantum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. Judea Pearl is professor of computer science and dire

at our door.” In the wake of advances in unsupervised, self-improving machine learning, a small but influential community of thinkers is considering Wiener’s words again. In Deep Thinking, John Brockman gathers their disparate visions of where AI might be taking us. The fruit of the long history of Broc