Epstein Secrets

dicine at USC, and author of The Pattern on the Stone: The Simple Ideas That Make Computers Work. Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P

way it was with the atomic bomb,” said J. Robert Oppenheimer. His words were echoed recently by Geoffrey Hinto

and do it and you argue about what to do about it only after you have had your technical success. That is the way it was with the atomic bomb,” said J. Robert Oppenheimer. His words were echoed recently by Geoffrey Hinton, arguably the inventor of deep learning, in the context of AI risk: “I could give you the usual ar

dicine at USC, and author of The Pattern on the Stone: The Simple Ideas That Make Computers Work. Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P

way it was with the atomic bomb,” said J. Robert Oppenheimer. His words were echoed recently by Geoffrey Hinto

and do it and you argue about what to do about it only after you have had your technical success. That is the way it was with the atomic bomb,” said J. Robert Oppenheimer. His words were echoed recently by Geoffrey Hinton, arguably the inventor of deep learning, in the context of AI risk: “I could give you the usual ar

itique it.” 173 HOUSE_OVERSIGHT_016976 THE ARTISTIC USE OF CYBERNETIC BEINGS Caroline A. Jones Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P

hington, Connecticut, meeting he discussed the Cold War tension between engineers (like Wiener) and the administrators of the Manhattan Project (like Oppenheimer: “When [Wiener] warns about the dangers of cybernetics, in part he’s trying to compete against the kind of portentous language that people like Oppen

itique it.” 173 HOUSE_OVERSIGHT_016393 THE ARTISTIC USE OF CYBERNETIC BEINGS Caroline A. Jones Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P

hington, Connecticut, meeting he discussed the Cold War tension between engineers (like Wiener) and the administrators of the Manhattan Project (like Oppenheimer: “When [Wiener] warns about the dangers of cybernetics, in part he’s trying to compete against the kind of portentous language that people like Oppen