Epstein Secrets

dicine at USC, and author of The Pattern on the Stone: The Simple Ideas That Make Computers Work. Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P

ax Tegmark, Jaan Tallinn, Steven Pinker, David Deutsch, Tom Griffiths, Anca Dragan, Chris Anderson, David Kaiser, Neil Gershenfeld, W. Daniel Hillis, Venki Ramakrishnan, Alex “Sandy” Pentland, Hans Ulrich Obrist, Alison Gopnik, Peter Galison, George M. Church, Caroline A. Jones, Stephen Wolfram. I see The Deep Think

itique it.” 173 HOUSE_OVERSIGHT_016976 THE ARTISTIC USE OF CYBERNETIC BEINGS Caroline A. Jones Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P

ly we collaborated on a panel during the “GUEST, GHOST, HOST: MACHINE!” Serpentine event that took place at London’s new City Hall. We were joined by Venki Ramakrishnan, Jaan Tallinn, and Andrew Blake, research director of The Alan Turing Institute. The event was consistent with HUO’s mission of bringing together art

dicine at USC, and author of The Pattern on the Stone: The Simple Ideas That Make Computers Work. Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P

ax Tegmark, Jaan Tallinn, Steven Pinker, David Deutsch, Tom Griffiths, Anca Dragan, Chris Anderson, David Kaiser, Neil Gershenfeld, W. Daniel Hillis, Venki Ramakrishnan, Alex “Sandy” Pentland, Hans Ulrich Obrist, Alison Gopnik, Peter Galison, George M. Church, Caroline A. Jones, Stephen Wolfram. I see The Deep Think

itique it.” 173 HOUSE_OVERSIGHT_016393 THE ARTISTIC USE OF CYBERNETIC BEINGS Caroline A. Jones Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P

ly we collaborated on a panel during the “GUEST, GHOST, HOST: MACHINE!” Serpentine event that took place at London’s new City Hall. We were joined by Venki Ramakrishnan, Jaan Tallinn, and Andrew Blake, research director of The Alan Turing Institute. The event was consistent with HUO’s mission of bringing together art