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of data is not limited to corporations: In totalitarian states, or even nominally democratic ones, governments know things about their citizens that Orwell could not have imagined. The use they make of this information may not always be transparent or possible to counter. The prospect of AI for military
r, the London-based, peripatetic art curator Hans Ulrich Obrist (known to all as HUO), and ask if there was anyon
ning, waiting in the lounge at JFK, I had had the bright idea to write my friend and longtime collaborator, the London-based, peripatetic art curator Hans Ulrich Obrist (known to all as HUO), and ask if there was anyone in Milan I should know. Once I was settled at the hotel, the phone began ringing and a procession
and public space; and fashion designer Miuccia Prada, who “requests your presence for tea this afternoon at Prada headquarters.” And thus, thanks to HUO, did the jet-lagged “great American visionary thinker” stumble and mumble his way through his first day in Milan, November 2011. HUO is sui generis:
of data is not limited to corporations: In totalitarian states, or even nominally democratic ones, governments know things about their citizens that Orwell could not have imagined. The use they make of this information may not always be transparent or possible to counter. The prospect of AI for military
r, the London-based, peripatetic art curator Hans Ulrich Obrist (known to all as HUO), and ask if there was anyon
ning, waiting in the lounge at JFK, I had had the bright idea to write my friend and longtime collaborator, the London-based, peripatetic art curator Hans Ulrich Obrist (known to all as HUO), and ask if there was anyone in Milan I should know. Once I was settled at the hotel, the phone began ringing and a procession
and public space; and fashion designer Miuccia Prada, who “requests your presence for tea this afternoon at Prada headquarters.” And thus, thanks to HUO, did the jet-lagged “great American visionary thinker” stumble and mumble his way through his first day in Milan, November 2011. HUO is sui generis:
don analog formats, and in return provides easy—all too easy?—reproduction of artworks with almost perfect fidelity. But there is a huge hidden cost. Orwell’s Ministry of Truth is now a practical possibility. AI techniques for creating all-but-undetectable forgeries of “recordings” of encounters are now b
tum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, L
and an external professor at the Santa Fe Institute. He is the author of Programming the Universe: A Quantum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. Judea
don analog formats, and in return provides easy—all too easy?—reproduction of artworks with almost perfect fidelity. But there is a huge hidden cost. Orwell’s Ministry of Truth is now a practical possibility. AI techniques for creating all-but-undetectable forgeries of “recordings” of encounters are now b
tum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, L
and an external professor at the Santa Fe Institute. He is the author of Programming the Universe: A Quantum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. Judea
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